In my humble opinion this is their best album. I love how experimental it is sonically and how every track has something different to bring to the table.
Vince Staples returns with Cry Baby, an album that fuses rock elements with the west coast hip hop sound Staples is generally known for.
Vince Staples proves to be an interesting artist with this project, as his continuously experimental nature helps to push him in new directions. Like with Big Fish Theory giving us future garage and house influenced bangers, Cry Baby delivers with not only some of Staples’ best written verses but also some amazingly catchy choruses.
Staples has a ... read more
I feel like this is one of the least interesting songs on this album (along with Be With You) which is honestly ok because this song slaps and not every song needs to be hexagons. It’s a solid song and it’s groovy, goofy and fun. It sounds like Muse are having fun with this song which is a good thing. This will be the Panic Station of The Wow Signal.
Man, I listened to a lot of albums today, and this one was a ride. Dälek was an artist I was unfamiliar with until I heard this album. I had heard his name thrown around in a few hip hop spheres and that’s it.
From Filthy Tongue of Gods and Griots is a bizarre, groundbreaking and genre bending album that constantly leaves you curious as to what will happen next.
The main issue I have with a lot of abstract hip hop albums is that while it is good, there’s not a whole lot that ... read more
With a title like Volcanic Bird Enemy and the Voiced Concern, and an album cover like that, combined with no prior experience with Lil Ugly Mane’s Music, I had literally no clue what I was getting myself into when I started this album.
The result is a really odd album, the genre of which I can’t quite place. It has influences from all over the show, which honestly is one of its strengths. Several of the songs reminded me of Quadeca, probably because he took inspiration from this ... read more
Black Metal and Shoegaze was a genre combination I never thought could work. One is dark, intense and loud. The other is equally loud, but ethereal, serene and melancholic. Deafheaven makes it work on Sunbather.
While I wasn’t a huge fan of the blast beats over the instrumentals, it became really cool background noise. The instrumental takes the forefront and the screechy vocals are more of a background thing. Because of the nature of the vocals, they are treated more like another ... read more



