So safe and familiar that it almost falls into self-parody, most evident on "The Academy Award", a track that sounds like it could have been written by a band who just heard "The Dark of the Matinee" for the first time.
Unfortunately, this is every bit as formulaic as you would expect from a band whose peak came many years before. (But what a peak it was.)
I was a bit put off by the first track on my first listen (how dare he sing in a nearly normal pitch!), but the rest of the album ranks among the best work he's done.
Shame, much like Idles in early 2017, have set the post-punk bar high for 2018.
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| 90 - 99 | 2 | |
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| 70 - 79 | 3 | |
| 60 - 69 | 1 | |
| 50 - 59 | 1 | |
| 40 - 49 | 2 | |
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