Hella peaceful and ethereal.
A tad bit repetitive.
If you have subwoofers, listen to this LP with them connected; thank me later.
In my opinion, it starts off very strong and then slowly tapers off.
The latter tracks on this LP are still good, but the first eight are primarily all I think about when I reminisce on Endtroducing...….
Still a brilliant album regardless, plunderphonics blueprint.
Bisexual country music for thou.
This record is pretty great; some songs are definitely better than some others, but its highs more than make up for the lesser tracks.
This mixtape is (for the most part) absolutely chill.
The only issue is that some songs on here don't match the quality of the other songs, in my opinion.
Like, Where It'$ At? right after Righteous Minds is not balanced at all.
Pros outweigh the cons regardless; I recommend it.
Richard was working on parts of this album as a young 14-year-old.
Conceptually, a mishmash of an artist's past works sounds like something that sounds just "alright."
This album is great; it doesn't give the impression of just some of his selected works at all. All the tracks flow really well with each other, and the songs themselves have a lot of merit.
One time, I listened to this album so loud that my left ear had this ringing noise in it, and it didn't go away until the next day.
I honestly wish I didn't like Feedbacker as much as I do because my liking it is actively contributing to worsening hearing.
Besides my whining, this record is expertly hypnotic; it feels like you're stuck in a trance as the audio waves just obliterate your cochlear hair cells.
Highly recommend keeping the audio down for your own safety.
I really like Kids See Ghosts, and I think every track is great.
The only issue I have with it is that I want to listen to more of this, and it cuts off so soon.
Only around 24 minutes of Kanye and Cudi? It just feels like such a fucking tease.
It's like if you were in the middle of eating a super juicy steak and you blink and you realize it's only three ounces; it pisses me off.
Truly length is what stops this from creeping into 90 territory for me.
JOECHILLWORLD is so painfully 2011, but I say that lovingly.
It would be cool to see JPEGMAFIA go back to the cloud rap sound he captured under his DeVon Hendryx title, even if it was for a fun single or EP.