High highs and low lows.
The highs make you feel like you can fly outside the universe on the sound waves.
The lows make you want to desperately skip to the next song out of boredom.
[Copied from my review on RYM (Dated review lol)]
How not to do a Jungian shadow work.
This album's concept follows Eminem in the current year and his past alter ego Slim Shady as they both rap and battle over various tracks. The album's concept isn't anything too revolting inherently; it is meant to be a shadow work after all. A shadow work, or more simply, a work exploring the "bad parts" of yourself. This type of concept actually sounds like a very interesting ... read more
You don't have to pretend to like this.
It's okay; no one will judge you.
Sitting next to a crying child on a plane ride would be more pleasant than having to sit through these 73 minutes and 17 seconds of ear-numbing, talentless, and meaningless slop again.
I'm a sucker for vibrato, and this album is chock-full of it alongside Fiona's other shows of vocal talent.
There's so much raw emotion and energy present on this LP; I can't help but love it.
Alongside the vocal talent, the bridge sequences on this album are also pure ear candy.
It’s pretty dope how something can be so chilling…
Yet also chill…
Geogaddi is pretty unique in this respect, blending each of its respective genres in a particular manner to create a completely otherworldly sound.
I want to rate it higher, but it’s undeniably intimidating, and I’m not always in the mood for it.
Not terrible experimental hip-hop from Kanye, iconic for sure, but this is mostly a nostalgia record now.
Have you ever had one of those gaming chairs you put on the floor? It could, like, rock itself, and it had, like, a really shitty speaker.
My brother would hook his Bluetooth up to the chair and start playing this as I rocked on it and played Black Ops 2 or 3.
Beyond that, some of the lyrical content is fucking nuts for a mainstream artist—well, at least it was for 2016.
Kanye was fucking wilding on this album; some of it sounds booboo nowadays, but it's still pretty good.
A BOY IS A GUN* and PUPPET deserve to be in a museum somewhere.
I'm deadass.
I'm not going to pretend to like all the songs of this LP, but when this album hits, it hits gold.
The synths on this album are insane, some of the best in Pluggnb.
Brings back a lot of memories, love this little EP.
"Scene 4 Waltz: Baby's Lament" has the most beautiful piano solo I've ever heard in my entire life.
This is not satire or shitposting.
This album makes me smile.
Both because it's pretty good math pop and twee pop and because they're named Pee.
Hehe.
Hella peaceful and ethereal.
A tad bit repetitive.
If you have subwoofers, listen to this LP with them connected; thank me later.