Kim makes this wonderful and experimental album that has become a widely-loved project.
This album has been such a bop for me. Underscores has made her print on the hyperpop industry, and this is just one album.
This record is very nice and well-planned. It truly gives the scary vibe in some tracks that match the story just right. There’s not much to say, but that this record is really great to almost-perfect.
I don’t normally hate Melanie Martinez’s music, but this is just a low. Her album PORTALS was a 8/10, K-12 was a 7/10, and Crybaby was a 9/10, but this isn’t it. This isn’t even about any allegations, it’s just that this was pretty annoying. She also bashes the Catholic Church for what? She lyrically isn’t even here on this album as well. I love her, but this isn’t it for me.