Lana's most personal album yet is hindered by dated production, but every other aspect flourishes. “Fingertips" remains one of her most unappreciated songs.
This album has little to no flaws…it’s mystical, alluring, and sounds even more like a movie soundtrack than its predecessor.
This album has amazing vocals and addicting melodies, but Tate's lackluster songwriting and consistently commercial production hinder her growth as an artist significantly.
One of the most exciting first listens I've experienced in a very, very long time.
The front half outshines the back half, specifically with the magnificent opener "High Fashion Slags".
Unpredictable, dreamy, and overall just a fun listen. FKA twigs captures the hazy essence of a night out to perfection, and no two tracks sound remotely alike but nothing sounds out of place.
Though it came before, 0 is the more passionate, earthy, experimental, and versatile sister album to qp.
Ichiko Aoba is a world builder and a visionary…she knows exactly what she’s doing and I love every bit of it.
Lana’s artistic peak, which climaxes early on with “Venice Bitch”: arguably one of the best songs of all time.
A perfect winter album, Vespertine's intimacy and warmth feels like the cozying ember you crave in the midst of a raging snowstorm.
An absolutely mind-blowing emotional journey of an album, and an icon that will never go out of style.
A near-perfect gem and Lana's most underrated project to date. Summery, soothing, and dreamy, Honeymoon does a remarkable job at sounding simultaneously intimate and massive.