Jeff Tweedy's latest album offers a welcome dose of head and heart at a time when both ought to be celebrated a little more.
WARM is brilliant and meditative, and sounds like the work of a person who found something significant after digging through his mind, searching for some sense of his true self.
What materializes is a confounding collection of literary mastery, intertwined with sparse, albeit flummoxing instrumental compositions—tender acoustic and slide-guitar arrangements, adroitly managed bursts of noise, and a rhythm section that puts the movements of life into a neat, cohesive order.
Alive and inspired, WARM is a different type of reinvention—as daring as Wilco’s early landmarks but more subtle and sustainable. He’s not trying to break your heart. He just is.
Jeff Tweedy has long grown into his standing as one of rock music’s most innovative songwriters, which might make WARM’s more stripped-down and folksier approach somewhat surprising. But this isn’t the sound of regression. Instead, it’s the work of a seasoned songwriter proving that he’s as good at penning powerful, personal songs in a traditional vein as he is layering records with bells and whistles.
The glitchy wonder of From Far Away recalls the Wilco album Yankee Hotel Foxtrot, but Warm evolved from Tweedy's solo performances, and a creeping sense that in destructive times, we build.
Thirty years into his career, Warm shows that Tweedy is as absorbing as ever.
So, joy? Well, maybe, if you take joy and interrogate it to the point where it forgets how to dance. Warm is something else, tougher, but no less valuable. It’s a tender manifesto of self-doubt, a shout fading into a murmur.
There’s no need to be a Tweedy-ologist to appreciate Warm. It feels slight at first, but then the refusal to overembellish and overdevelop the songs brings them closer.
Tweedy might be missing his band members, but the restless, resonant spirit that drives Wilco’s best records seeps winningly into WARM just the same.
WARM sees this industrious figurehead of intelligent American rock return to a form where he can balance these two extremes effortlessly and make the deeply personal sound thoroughly universal in a manner that is unlikely to leave cold anyone with a heart that is still beating.
It feels like a privilege to hear Tweedy’s songs when he lets them out into the world.
The Wilco frontman’s solo record uses left-fied lustre to keep trad triteness at bay, with moments that upend Americana as beautifully as ‘Yankee Hotel Foxtrot’ did with US indie rock.
In its own quiet way, Warm is one of the most powerful works of Tweedy's career, and it's the sort of music too many of us need today.
Warm is Tweedy unfiltered, a gift that begs to be shared.
These are ultimately ... personal stories that are elevated by their universal nature.
Lyrically accessible without being straightforward, the album allows Tweedy self-disclosure on both past and present, and offers insight into his way of seeing things as he moves forward.
The album comes close, in both timbre and tone, to reflecting the unvarnished Tweedy that shows up at his solo shows.
While his emotions are the strong core of the record, it’s really an album that will either entrance you or lull you to a calm.
Something I began to realise as my rating for Wilco's 2022 double album Cruel Country kept on going up and up is that while Jeff Tweedy's musical craftsmanship was at it's highest during the late 90's and early 2000's, the simpler and slower alt country songs under his name that have defined his recent releases under Wilco and his own name is seriously an underrated sound.
There's something about Jeff's singing that makes this feels super authentic, and his ... read more
A pleasantly produced solo outing from the alt-country legend himself is noticeably weaker than the majority of Wilco (and Uncle Tupelo for that matter) projects. Still, I do think this is worth a listen for the vibe alone
A pleasantly produced solo outing from the alt-country legend himself is noticeably weaker than the majority of Wilco (and Uncle Tupelo for that matter) projects. Still, I do think this is worth a listen for the vibe alone
And I just KNEW you FUCKERS were going to hate on Let's Go Rain because all you bastards hate fun
| 1 | Bombs Above 2:15 | 83 |
| 2 | Some Birds 3:41 | 92 |
| 3 | Don't Forget 3:30 | 84 |
| 4 | How Hard It Is for a Desert to Die 4:50 | 80 |
| 5 | Let's Go Rain 2:57 | 63 |
| 6 | From Far Away 3:11 | 81 |
| 7 | I Know What It's Like 3:46 | 84 |
| 8 | Having Been Is No Way to Be 4:35 | 75 |
| 9 | The Red Brick 2:36 | 74 |
| 10 | Warm (When the Sun Has Died) 2:18 | 87 |
| 11 | How Will I Find You 6:06 | 88 |
| #6 | / | American Songwriter |
| #32 | / | Thrillist |
| #40 | / | Consequence of Sound |
| #44 | / | Digital Trends |
| #44 | / | Rolling Stone |