This being one of Boris’s worst received albums is a good demonstration of how the majority of their fans aren’t really fans of noise and drone, but of noise and drone as a means to an end. Most of Boris’s popular work (Pink, Akuma no Uta, the Heavy Rocks series, Flood, Feedbacker) use noise more as a modifier of well-established, fairly conventional, forms of rock and metal; though admittedly in the specific case of Flood they also take influence from Steve Reich-esque ... read more
While I much prefer the Hardcore version, this is one of the more interesting and captivating drone releases in Boris' catalog thus far.
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