The majority of Native Speaker’s most memorable moments are characterised by lapping four part harmonies and rich, roiling crescendos.
There's constant motion, each layer pushing and prodding until they prop each other into something like stasis, its minimalist bent never drawing too much attention to how it's working really hard.
Even when the songs struggle to find their end, Native Speaker remains a remarkably confident first outing.
It doesn't help that each track sounds a bit like the track preceding it, but where that may be a bit of a problem, it's equally the case that the album is a cohesive unit.
Braids are guided by the approaches their avant-pop inspirations take, rather than merely the sounds with their own distinct twist to them.
The cynicism of their lyrics mirrors the wariness with which they approach traditional song structures.
As solid and impressive as this debut is, it’s even better to think of it as a building block for a promising future.
This album might be experimental and creative but I just can't get into it no matter how much I tried, everything feels so... meh and lifeless.
Braids' debut is a lush, gorgeous, and dreamy art pop album with subtle, yet refined instrumentation. Raphaelle Standell-Preston's bold and eccentric vocals add an interesting counterpoint that results in many memorable moments.
Read the full review: https://tridenttail.ca/youcanbemywave/reviews/braids-native-speaker
| 1 | Lemonade 6:46 | 75 |
| 2 | Plath Heart 4:25 | 75 |
| 3 | Glass Deers 8:09 | 68 |
| 4 | Native Speaker 8:24 | 68 |
| 5 | Lammicken 4:35 | 77 |
| 6 | Same Mum 7:01 | 69 |
| 7 | Little Hand 4:27 | 64 |