JPEGMAFIA might've implicitly promised a project worthy of the experimental rap throne, but the result is just another by-the-numbers record in his catalogue.
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LOOKING FOR PEOPLE TO UNFOLLOW's message of existing without apology or compromise is matched by a double suite that displays Ecca Vandal's competence in both the pop-punk and hip-hop realms.
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Reel Big Fish's Why Do They Rock So Hard? Is a big budget, polished ska-punk record with clever and comedic songs propped up by expertly assembled arrangements. The only drawback is that the album's final leg is plagued with some undeniable duds.
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Karmanjakah's Diamond morning is the perfect answer for someone who wants to feel the immense weight of modern progressive metal, but doesn't want to be subjected to any of extreme metal's abrasive tendencies.
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While I wish more of the jazz fusion chops and melodies shone through a little brighter, Fire-Toolz's Warp Records debut, Lavender Networks, demonstrates that Angel Marcloid is worthy of the prestigious company she finds herself in.
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