Jukka's production style and Boucher's lyrics and singing are strong on their own, but together, their chemistry has led to one of the year's strongest debuts.
Kyle Jukka and Audrey Anne Boucher re-emerge on the music scene with a bold and eminently listenable effort that playfully conveys those fickle first days of a budding relationship.
Despite all of its sonic busyness, the vast majority of which falls in the category of charming rather than challenging, the album ultimately comes off as a little goofy, fun, and full of promise.
Their nurtured musical naiveté and trust in their self-devised methods have culminated in a debut album with clear personality and vision.
It’s a perfectly mid-fi indie pop album with occasional experimental inflections.
Although She-Devils falls short of the high expectations it had built up prior to the release, all in all it is a solid album, one packed with loads of potential and major signs of forthcoming genius from the Montreal duo.
She-Devils (Audrey Ann Boucher and Kyle Jukka) touch upon Iggy Pop, Madonna, T-Rex, Can, and '60s yé-yé with their debut, self-titled full-length album. Tracks like "Come" and "Hey Boy" build upon a foundation of psychedelic guitars and groovy basslines with an "amusement park of [synthesizer] sounds" to "explore the sensory world, actualize aesthetic fantasies[,] and alchemize pieces of history into entirely new sensations." Although ... read more
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