Examinations of creation, destruction and the ways that we often practice the two in vain have regularly been tethered to the Canadian post-punk band’s work—even going back to their days as Viet Cong. And while that’s quite a downcast undertaking, it’s one that goes hand-in-hand with Preoccupations’ dystopian-future-sounding music. With their third LP, New Material, they dive into it headlong, getting closer to Munro’s stated goal than ever before.
Tackling their inner demons like never before on New Material, the band creates intense moods along with rhythms that not only make these tones accessible but understandable.
Each track on New Material is its own – while certain songs definitively outshine others, they all contain their own character and energy resulting in something not only haunting an enigmatic, but something rather stunning.
Founded on the band’s hefty but nervous guitar-bass-drums latticework and festooned with uneasy synthesizers that sound like white noise machines for people who never sleep, the album alternatingly lurches and shudders through scenes of intense maladjustment.
Another evolution in the way Preoccupations bring poetic soulfulness to post-punk, New Material lives up to its name -- it's not just another batch of songs, it's a fresh approach that feels like a breakthrough.
From the word go, the album endeavours to rattle you every which way in search of an answer. But, like therapy, this isn’t a search for right answers. It’s more a search for the strength to acknowledge what is happening in the here and now. A search for any answer in the fog of confusion.
The band’s third full-length is an easier and more melodic entry into their spindly post-punk. Here, their defeatism takes on a new tenor: battle-worn, sincere, and not quite so antagonistic.
On ‘New Material’, the Canadian band continue down that path apace; the lines on this album are lean to the point of being clinical, and the tempo is relentless, with the prominent rhythm section rattling along with more purpose than on either of this album’s predecessors.
In many ways, New Material is a natural progression of what Preoccupations have done and continue to do better than just about anyone else at the moment. Their command of the genre's signifiers and traditions remains unparalleled; they've just added a more personal touch to the process.
New Material hits the spot more often than not. And there’s something thrilling about the fact you still can’t quite pin Preoccupations down: their shifting sound isn’t a logical evolution, but a shifting journey into the dark.
New Material is another strong LP from a watertight band, and a great access point for a listener overwhelmed by the oppressive brutishness of their previous LPs.
New Material is now their fourth release. It may be the most consistent of the lot, but it isn’t the strongest.
New Material is sure to divide fans down the middle, leaving them questioning Preoccupations’ intent as, for perhaps the first time, the band is more keen on playing things close to the chest.
New Material may seem like a step backwards overall, but it’s still promising – feeling like a more hesitant commitment to change than the forthright statement they intended.
New Material's subjects are too broad for incisive commentary, and its themes of disenfranchisement and helplessness are played too straight for dark comedy. Ultimately, it's about as expressive as those one-word titles would suggest.
New Material is an album that achieves a lot, but accepts failure as an option and takes it with a begrudging grace. So much can be made out of the stories told in the album's songs, but with the general lack of ideas, the role of the doomsayer is running its course for Preoccupations.
New Material is Preoccupations' most lackluster album so far.
Too often there's a subpar post-punk feel, scraping together an Interpol baseline here and a Joy Division riff there. The intricate complexity that marked the previous two albums doesn't seem to come together here, struggling to reach the dark, coiled up sounds unspooling on Viet Cong and Preoccupations.
#17 | / | Flavorwire |
#37 | / | Paste |
#80 | / | Piccadilly Records |