Proof that it's possible to have both quantity and quality.
There's no world-conquering ballad like You're Beautiful, and no belated attempt to repackage Blunt as hip and cool. Instead, it's 35 minutes of well-crafted pop music and I see no trouble with that.
Those in search of arms-aloft anthems will leave feeling short-changed; the rest of us will agree that, in the case of The Suburbs, less is more.
The departure of their leader sees the girl-group — Heidi Range, Amelle Berrabah and Jade Ewen, if you're struggling to keep up — grasping for an identity on Sweet 7.
It's not that Lights is a bad debut — there's plenty here to suggest Goulding is a worthy recipient of such attention — but it doesn't always dazzle in the way it might.
Only Revolutions sees the band continue towards the mainstream.
It doesn't all work but it is daring and, as with the Strokes, the overall sound is strong and distinct enough to override any concerns about its authenticity.