There’s an alluringly atmospheric feel to the six-minute “Epilogue”, but these remain cute sketches in need of more colour to fully draw us in.
She relies on relative conservative house music tropes sometimes, but the hooks never fail to cut through.
Food For Worms sometimes sounds like the work of a band running on fumes.
Coruscating post-punk guitars, gnarly bass, gutsy soul vocal licks and infectious funk grooves elbow each other around.
As the title suggests, Brooklyn-based Sarah Beth Tomberlin's second long-player seems to semi-consciously urge you to move along – nothing to hear here. Yet it creates its own slow-burning allure on repeated listens.
Stereophonics keep up the good work on Oochya!, with a few surprises.
A grab-bag of urgent pub-funk grooves, underpinned by abrasive Burnel-esque bass growls, sardonic chants and hooky shards of guitar make for a debut album bursting with character.
Sixty Summers sees the kitten-voiced Julia take even bolder steps into uncharted territory.
Beneath the smoky fug of a curiously bass-heavy, sometimes semi-psychedelic production, we find all sorts of intriguing experiments.
Aussie psychedelicists King Gizzard & The Lizard Wizard go very metal on Infest The Rat's Nest.
Alive and kicking: Iggy and co. put the sex in sexagenarian on superbly sleazy new album.