She’s released a fresh body of work that stands up with the best of her output. It isn’t perfect, but it certainly lives up to expectations, no matter how high.
As a debut album it goes over well, with a convincing display of versatility and quality songwriting that firmly establishes Mabel as a force to be reckoned with in UK pop.
As it is, you’re left with a solid, well-made pop album that occasionally hints its maker might be more interesting and individual.
Despite some over-zealous Top 40 attempts, High Expectations is a well-rounded pop record.
‘High Expectations’ is a solid album, with some extraordinarily good pop songs on it, yet it feels like something’s missing.
Ultimately, High Expectations trades in well-appointed, British-tilting genericness that ticks Spotify playlist boxes, promising party vibes and availability, then wallowing in non-specific romantic dismay.