A big, bold, confident-sounding record. Wild God is the best conventional (for want of a better word) Bad Seeds album in a very long time.
Picture of Bunny Rabbit is another beautifully understated but bravely adventurous suite of songs and instrumentals.
Ultimately, this doesn’t sound like a long goodbye from one of heavy metal’s foremost heroes and founding fathers, but a playful, defiant and gloriously over-the-top statement that screams the show must go on.
Arkhon is an impressively solid album, if sometimes lacking in originality. It confirms the place of Zola Jesus in the pantheon of dark and slightly twisted contemporary pop.
The nine tracks on Pompeii constitute a pleasingly coherent collection that forms its own sonic universe, confirming not onlythat Cate Le Bon is as good as everyone makes her out to be, but that she’s even better.
The Overload is genius in its simplicity and effectiveness.
Infinite Granite is a surprising record for all the right reasons. A brave statement of intent from a band refusing to stand still.
The beauty of Cavalcade is that for all its surreal strangeness, this is a remarkably focused and coherent album. It should hopefully illuminate the gradual dawn of our brave new post-pandemic world.
Further ends on another high note with the charming Doors, a slightly psyche and progressive tune that stays true to the core Hawley sound.
Carney's emergence on Bare is an exquisite joy to behold, a gorgeous song cycle that runs the whole gamut of life, love and loss. This brilliant Anglo-Irish artist is just starting to bloom. Expect the name Rosie Carney to strongly feature in the Irish music of the future.
The Coral have hit a mid-career high on Move Through The Dawn, and given their prolific work rate, there is no stopping them now.