I just finished a first listen of CHARON and my immediate thoughts were that it was worrying.
I was initially surprised by the repeated Signalis motifs, but by around CHARON VI I understood that, in retrospect, it at least made thematical sense: one of the most poignant and repeated bits of symbolism in the game ultimately culminates in Elster’s being taken by a clearly Charon inspired boat, presumably towards acceptance (frankly I don’t remember, it’s been a minute and I ... read more
The ending of the album is what started this entire journey to begin with and it was so worth it, absolutely seminal album.
Hoooooly amazing, how did I sleep on this one? Breakfast in America must be fucking seminal if Crime of the Century and Crisis? What Crisis? were both this freaking great
The first like three songs you can tell is Supertramp finding their voice but afterwards it just kinda devolves. And we don't talk about Potter.
| 100 | ||
| 90 - 99 | 15 | |
| 80 - 89 | 24 | |
| 70 - 79 | 14 | |
| 60 - 69 | 4 | |
| 50 - 59 | 3 | |
| 40 - 49 | 1 | |
| 30 - 39 | ||
| 20 - 29 | ||
| 10 - 19 | ||
| 0 - 9 |