To say that this record is bad is simply not accurate. This is Gambino's most bizzare and undeveloped project yet.

Funeral is a ridiculous attempt to sound relevant.

I just don't get the hype.

Sixteen Oceans is the legendary producer's most underwhelming effort thus far.

Grimes pushes her art forward on the wonderfully weird Miss Anthropocene.

Uninspiring. Again.

Who actually needs this?

If this debut was made 8 years ago, this record wouldn't possibly have lived up to the hype behind it. The fact that it's being released in 2020 adds extra layers of cringe to the music and the artist behind it. A waste of time.

Eminem continues his midlife crisis with another horrifyingly bad record.

Spirituality and Distortion is the band's worst record to date.

Heavy Light is a disappointing return from Megan Remy.

Sadly, the most exciting band in American Post-Punk return with a record that is best kept in the closet of their discography.

Kanye's prodigy underwhelms by leaps and bounds on her uninspiring debut.

Aside from its singles, The Slow Rush doesn't offer any groundbreaking ideas. In fact, it suffers from a serious lack of creativity on Parker's part.

Heaven To A Tortured Mind is the record Yves Tumor was always supposed to make. A cathartic project of experimental music that doesn't (not even for a second) sound ovewhelming.

After Hours is Abel's first truly focused projects in a long time.

Future Nostalgia brings Dua Lipa to the helm of mega popstars, even though it sometimes falls under the spells of pop's reductive rules.

High Road is a fine addition to the singer's chaotic discography.

A decade ago, Nicolas Jaar was Electronic music's underdog. Today, he's dropping what might actually be the greatest achievement in Experimental, left-field, Minimal Electronic music of its time.

Curry and Beats host a bombastic journey through Hip-Hop history, and sound great doing it.