La stesso brano in loop per 30 minuti, non c’è una canzone con una struttura definita

un flusso di poca coscienza, abbastanza noioso

Goofy, technical, crazy.

The reason why i started play bass, Primus sucks

Bowie goes to Berlin 2/3

Bowie keeps the momentum going, the drugs are (mostly) under control now, and the Wall is right there, literally inspiring the whole album

Side one has punchy art-rock songs while side two dives deeper into atmospheric instrumentals, moody, ambient.

The Thin White Duke is still icy, but there's light breaking through!

Bowie goes to Berlin 1/3

After helping his buddy Iggy Pop get back on his feet by producing The Idiot, they both decide to move to Germany together, to kick the heavy drug habits (lol)
The dream team of Bowie, Iggy, and Brian Eno creates Low: an album that’s super listenable but totally different from anything before. Half the record is short, emotional songs with sparse lyrics, and the other half is beautiful, moody instrumental pieces.

Absolute peak Mr Bowie!

Bowie present the Thin White Duke, his new cool sleek character, straight out of his wild, coke-heavy days in L.A.
This album is big change for Bowie, funky beats mixed with krautrock vibes, plus a bunch of occult stuff in the lyrics.
It's cold, trippy, futuristic and ahead of its time.

Bowie switches to smooth “plastic soul” with super passionate singing on this record.
Whole album is catchy, bright, groovy, and fun.
Shout out to Beatles on this one.

Easy listinenig, perfect for a car ride!

David leaves glam behind and dives into a dark future world.
It's a story album inspired by 1984 by Orwell novel where Bowie plays most instruments himself.
Not a huge seller back then, but it led to his soul music next.

Best songs? Rebel Rebel and Sweet Thing.

Bowie takes a break from originals and drops this fun covers album, paying tribute to the '60s British Invasion bands that inspired him. It's like a glam makeover of classics from The Who, The Kinks, Pink Floyd (early stuff), and more.

It's not deep like Ziggy or Aladdin, but it's a cool bridge to his next phase.

Pin Ups was a hit commercially, with that iconic cover of Bowie and Twiggy!

Just one year after Bowie goes more wild, more crazy, more sexy, more chaotic.

It’s darker and dirtier than Ziggy, full of panic, drugs, fame and America vibes.

Again Bowie at his absolute peak.

Thanks to Mike Garson for the insane keys part on this take, love the jazzy vibe!

Bowie creates this crazy alien rock-star character and turns the whole thing into a perfect story-album.

The sound is pure glam fire: big crunchy guitars, loud drums, wild sax, and hooks you can’t forget.

This is the moment Bowie stops trying and just BECOMES the star.

The album was a huge hit and changed his life forever, absolute masterpiece.

A new album, more intimate than ever, with a new lineup, fresh genres, bold new lyrics, a striking new image, and innovative sounds.

It marks the debut of theatrical flair on stage: in short, David Bowie’s first true “classic” album.

The entire record is written on piano first, with everything else beautifully arranged around it later from David itself.

Despite glowing reviews from critics, this fourth album still didn’t achieve major commercial success.

A clear evolution for Bowie, a harder, rocking album that deeply reflects the difficult family period he was living through.

He introduces new songwriting techniques and lyrics loaded with big themes that will shape his work in the years to come.

The title track is truly beautiful, hands down the best song on the record.

Bowie was clearly influenced by Dylan and the rock music of those years. This album feels much more personal and about his own life than the one before.

Space Oddity is one of the most famous songs in all of Bowie’s work and his first real hit, but it’s actually the least typical song on the album, with deeper, more interesting sounds and moods

Smart move: the song came out right before the 1969 moon landing, and the BBC played it during their live coverage.

A perfect 100-point ... read more

A young Bowie searching for an identity, already musically active for several years.
An album that tries to copy the greats of the time, a bit behind the times.
Nice haircut, my big boy!

It's like an album split in two:
The first half brings back some good old vibes, while the second feels like a blend of electronic music you'd hear during a casual evening out.

I'm not totally sold on that part, sorry Mr Parker

Even if you're not usually into Latin sounds this album is for you.
Their energy is infectious, their chemistry undeniable, and the Tiny Desk live cuts on the second half of the album bring everything to life.
Definitely one of those “didn’t expect to love it, but here we are” kind of records.

Heavy Weather is an untouchable classic.
Catchy, tight, and packed with great playing.
Tracks like “Birdland” didn’t just hit, they became jazz standards.

Trent Reznor’s vision is crystal clear: this isn’t just music, it’s a descent into a fractured psyche.

Couldn't agree more, it’s not an easy listen, but it’s unforgettable.

A visionary album.
1999 was light-years ahead of its time, and you can still hear its fingerprints all over modern music.
Prince didn’t just predict the future, he scored it.

A chaotic blend of nu metal influences that leans heavily into aggression and repetition.
The album feels excessive until the final 3 tracks shift genre and bring some much-needed relief.
That late turn is what saves it.