An fun albeit unmemorable joint from SB.

Sure, it’s impressive. This is a really grand and carefully constructed record… but for what. I just don’t feel the emotion. These songs aren’t near as emotional as people hyped them up to be and there’s a lot to be desired from the vocals. Definitely some great stuff here but overall this just really bored me.

Pretty fun punk record that really starts to drag toward the latter half.

Some absolutely fucking ridiculous production on this thing

More of the same from the keys but I’m not complaining. If you’re gonna give me blues jams like How Long and Burn The Whole Thing Down every time you release and album then you’re doing the right thing as a veteran band.

Kayo is probably my favorite out of the new cloud rap scene right behind Destroy Lonely. He’s a performer at heart and he even incorporates some beautiful guitars into his production. Lots of room for improvement but Kayo is gonna be a star.

The riffs are ridiculous as always with Regulate. Definitely one of their weaker albums vocally though. But I mean it’s Regulate, they’re still gonna fuck regardless of any of their weaknesses.

Callous Daoboys establish themselves as top dogs in the mathcore scene. This is nasty, beautiful, and heartbreaking all in the same breath.

Domo executes a great concept really well. He just needs a bit more energy.

What can I say Joe Keery makes some slappers. This shit would bump at a rave.

Probably Brent’s best project. A dark, psychedelic tale of a nightcrawler who lives for the vices in life. Definitely a little bit over the top and corny at times, but Brent makes up for it. And those interludes, oh my god…

Willow is officially a fucking rockstar. This album has mind-numbing breakdowns, crazy riffs, solos that fucking shred, and willow’s vocals complement everything great. Definitely a little rough around the edges. She needs to refine her sound but once she does she’s gonna be unstoppable.

The Weeknd carefully curates a very specific, cyberpunk feeling on this album that is instantly recognizable. He continues to prove he is one of the best musical minds of our generation.

This is probably Denzel’s best work behind TA13OO. It’s a psychedelic ride that rivals something like Astroworld or The House is Burning.

A return to form for one of the most underrated rock bands of the last 20 years. These songs are hard-hitting and emotional, with incredible riffs and even better vocals.

A monstrosity of the greatest proportions.

Freddie never misses.

KG continue to improve and refine their jazz music, adding yet another genre to their fucking insane arsenal. These guys can do it all and this album is a perfect example of that.

mastapiece

WE SELLIN COKE IN THE OPEN AIIIIIR