Coming off of Reggae’s most defining statement, it would be easy to assume that Marley & CO’s next effort would be a ‘slump’ in some regard- not so. Is This Love May manage to take the cake as the group’s best all-time cut, sparkling like an emerald among a sea of diamonds- but every track here is pure gold
I imagine this record has the perception of being a bit weaker than the Wailers’ records that proceed it because it lacks a super famous smash anthem. However, this is still a record of remarkable quality- Johnny Was, Who The Cap Fit, War, and Rat Race are some of the group’s best deep cuts *ever*
The Wailers' hot-streak continues. No Woman No Cry obviously steals the show for most people here, but the open, Revel Music, Bend Down Low, and Talkin' Blues are quietly among their best cuts as well if you ask me
The *other* Roots Reggae essential released by The Wailers in 1973. The opener is a protest anthem for the ages, and everyone adores the Clapton cover- but even the less popular cuts here such as Put It On, Duppy Conequeror, and One Foundation totally blew me away
Marley + The Wailers’ first true masterpiece, and the first defining project in the Reggae canon if you ask me. Catch a fire indeed- this record burns with passion, but also begs you to just take it slow, *real* slow. Not the only perfect record from the Wailers, but the first
Before Marley & The Wailers would become the eternally groovin' Reggae legends they're known as now, they were well on the cusp of forming Reggae here. Sure, the recording quality sounds like it was potentially recorded with a can and string- but I'll be damned if there's not heaps of charm to be found here nonetheless
Take this record as just further proof of JID being the South’s current king of flow. Doesn’t have as many highs as The Never Story but is a teensy bit more consistent across the board- you can’t go wrong with any of JID’s LPs
JID’s debut LP has the occasional weak spot, sure, but oozes enough charm and confidence that it’s more than easy to overlook. His ability to snake across a smooth boom-Bap beat makes him stand out among his southern contemporaries- + NEVER has a reputation as *the* JID song for good reason
CSH has always felt ‘pseudo-prog’, but this seems to be the year they finally lean full-throttle into prog-epic-opera territory- to overall great results. The opening trio of tracks are particularly stellar if you ask me- I didn’t pick up on any of the overarching ‘lore’ at play here (not a big fan of music ‘lore’ in general), but this still feels like a comeback record after the tremendously disappointing MADLO
Starts out decently with a solid Bowie cover, before three truly uninspired and just all-around sloppy covers. The March of the Pigs cover in particular is *easily* CSH’s worst cut to date imo
No ifs ands or buts- a miss, and really the only true miss in CSH’s discography to this point. Some of the production choices here are genuinely… baffling (re: Hollywood, Hymns). The band’s music has always been easy to dance to, but when the production attempts to cater to pure ‘dance music’ the results are shockingly disjointed
Though it's initially billed as 'hi-fi re-recordings' of earlier CSH cuts (mainly from My Back Is Killing Me/Monomania), make no mistake- this is still lo-fi. However, there are still several superior versions found here- for me, Something Soon, No Passion, Maud Gone, and the closer in particular. A transitionary project for the band that still manages to be remarkably consistent
As the cover shows, Monomania is the sound of Toledo lighting that which he holds close ablaze. There’s an argument to be made that this is Toledo’s most pessimistic and spiteful crop of tracks to date- sure, instrumentally the band always is easy to jam out to, but on the lyrical front this time around things are *angry*. Sandwiched between the band’s all-time masterpiece Twin Fantasy and their two-hour epic Nervous Young Man, it’d be easy to write this one off- ... read more
Barring the relatively weaker Devil Moon, the four remaining tracks here are some essential lo-fi CSH tracks. It's Only Sex in particular is some of Toledo's finest (and horniest... and most awkward) writing
Mirror to Mirror & Face to Face…. which came first, the chicken or the egg? Well, in this case, it’s pretty obvious which came first, but which is *better*? I’d say I prefer Face to Face, but there’s absolutely an argument that the lo-fi charm here is CSH at their most absolute and enigmatic. Both slot together so inextricably that it feels nearly vain to argue the semantics- a chicken needs an egg and vice versa
Astounding to me that even this early on in their career, and even among mixing that sounds like the inside of a storm drain, CSH were delivering noisy slacker anthems to the stars. Happy News for Sadness, No Passion, something soon, Strangers, and the closer are all among the band’s best within their ‘lo-fi’ era
Peggy’s latest LP effort may likely take the title of his most emotionally resonant to date. He’s had a bit more success in production and thematically prior (re: LP, AMHAC), but there’s a potent vulnerability found here that makes this his most emotionally dynamic project since The Ghost-Pop Tape, all while still keeping the signature Peggy chaotic-sound on tap
A DLC pack that’s worth the price of admission (free!)- game devs everywhere, take note. Hermanos would be one of the best tracks on the base STH had it been included