Dude, you sound a bit like you are tired of life. Are you fine?
A quick one: The Horrors as band expand their sound palette a bit more, going more space-ish and ethereal than their 2 previous efforts, and also still using their heavy influence on acts like Slowdive, implementing dreamy and noisy but epic layers of shoegaze inside. The lyrics are nihilistic as a Cure album in the worst days of Robert Smith and the drums goes brutal, sincere and dense like a cockroach in the point where he knows ... read more
A bossa nova being top 3 tracks on the album is one of the biggest surprises here.
Battles is underrated and you should check it right now.
I know I know, everyone fucking loves Mirrored, everybody lost their shit at Atlas and Ice Cream several years ago. I know this is kinda different. But you need to listen me for a little moment. I was reviewing Maria Esmeralda till my power went out and I lost everything so I will do a quick review on this. Battles is a post-rock/experimental rock band that in their entire discography, build complex landscapes of instrumental rock with ... read more
I though I will have something as ambitious as Beware. I just Heard hardcore sex between synths and a Mellotron going through an overdose.
The trip hop tag me mostly got me but it's not that bad, it's funny but boring
Album Version: Fucking rampant, emotional and epic
Single Version: HEY! Let's fucking ruin everything and explode ourselves yipee ^^
Those were the worst years of my life, and I can't do it anymore.
So this is just TikTok trip hop, incredible and funny and quirky tbh. Not really impressed by many songs here, but the sound is smooth, clean and fantastic
I don't like Nardwuar intrusive interview style, I think he deserved it
Waiter waiter more ambitious and dreadful experimental rock with slacker rock and post-punk/noise rock elements!!!!
This is the most anthemic, epic, emotional and wild album I heard in my life. Like, seriously, post-rock never sounded this giant and spectacular and glamurous. Not even Sigur Ros. Front to back, a grand rock-opera of 62 minutes featuring some of the most cathartic jazz fusion, experimental rock and NOISE ROCK textures on a kind of magno-stellar adventure with many grand and eloquent passages all around and over. One of the most ambitious project I ever heard so far
The worst person you know is a guy with a 100 in Spiderland and a 3 on Coldplay thinking Swans is the greatest thing in music history and you will want to rip his bones and skin and put a dinosaur on his ass.