Okay, okay, before you grab your pitchforks, hear me out: Funeral? More like Snoozefest (and not in the good way). Yeah, I said it. Everyone and their dog loves this album, and I just don’t get it. I know it’s “iconic,” I know it’s “emotionally devastating,” but honestly, it sounds like a bunch of whiny, overly dramatic indie kids singing about sadness in a way that feels like they’re trying too hard.

From the very first track, it’s all ... read more

Okay, first of all, this album is like if you mixed a basic Instagram influencer’s vibe with a wet towel. It’s all shiny and “emotional,” but nothing actually sticks. “Paris” is like the song that follows you around in every mall you’ve ever been to—catchy, but kind of annoying. The lyrics? They read like something you’d see on a motivational poster in a high school classroom. It’s polished to the point of feeling robotic, and ... read more

Now, this is going to turn some heads. Imagine Dragons are often dismissed as radio-friendly, generic pop-rock, but Night Visions is an absolute 100/100 in my book. Sure, it’s been played to death, and everyone knows “Radioactive” by heart, but there’s a reason this album was so big. It’s catchy as hell, emotionally charged, and it captures the zeitgeist of a whole generation—whether you like it or not.

Imagine Dragons – Night Visions

Score: ... read more

Let’s just dive into the heart of this record. Either/Or feels like a mix of Elliott Smith’s folk roots with a sharp, raw edge. This album is him wearing his heart on his sleeve, but in a way that doesn’t beg for attention. He’s speaking in quiet tones, but his words cut deep. It’s not so much about what’s said as how it’s said. His voice, delicate yet full of weight, lingers in the air long after the song ends.

“Speed Trials” starts off ... read more

Let’s talk energy—this album is like a ball of raw intensity that hasn’t fully been polished yet. From the opening track, “Sunburn”, you get a sense of what Muse is about: a mix of soaring vocals, heavy guitar riffs, and this massive sense of drama. Matt Bellamy’s voice is already at its signature “I can hit those notes” level, and it’s impressive, but it also feels a little over the top at times. Some of the operatic, borderline operatic, ... read more

First off, this soundtrack is a banger. If you’ve ever played the game, you know exactly what I’m talking about. It’s like Mario suddenly decided he wanted to explore the cosmos to the sound of sweeping orchestral arrangements. Super Mario Galaxy goes far beyond the usual playful, chipper tunes we’re used to hearing in Mario games. This album is full of grandiose orchestral pieces that feel like you’re not just in a video game—you’re embarking on an ... read more

Let me just say it—this album hits different. The first thing that jumps out to me is the emotion. This isn’t just a collection of songs, it’s more like an entire journey through loss, longing, and these beautifully complex layers of sound. Ants From Up There isn’t something you just throw on in the background while you do laundry. This is the kind of album that demands attention. If you’re willing to let it take you there, it will, and it will make you feel ... read more

First off, I gotta say this album feels like the musical equivalent of a rollercoaster. Some moments are totally thrilling and make you feel like you’re on top of the world—other moments feel like you’re stuck in a loop of melodrama, waiting for something really exciting to happen. The whole thing’s got this apocalyptic, 2000s political edge, and it tries to tell this big, sweeping story about America’s chaos and confusion. It’s dramatic, sure, but sometimes ... read more

This soundtrack is honestly the kind of thing that makes you feel like you’re in a movie from the golden age of animation, but with a little modern twist that makes it feel fresh. The way the music captures that big band jazz vibe while still being catchy and driving the action forward? It’s like someone took your grandma’s jazz vinyl collection and turned it into a hyper-energetic, action-packed video game. And it works so well!

Let’s talk about the opening track, ... read more

Okay, I’ll say it—this album is like being trapped in a room full of people screaming “KEEP ROLLIN’, ROLLIN’, ROLLIN’” while aggressively slamming your face into a 2000s-era, cargo shorts-wearing, backward-hat-wearing, frat-boy nightmare. Chocolate Starfish is somehow the sonic equivalent of eating a hot dog with no bun while being yelled at about the importance of the “Bro Code.”

Let’s start with the big ... read more

Okay, Dark Side of the Moon—a timeless masterpiece that sounds just as deep and mysterious whether you’re in your dorm room at 2 a.m., gazing at the ceiling while pondering the meaning of life, or if you’re just casually tripping out on some “caffeine-enhanced” thoughts. This album is a solid wall of sound that’ll either make you feel enlightened or convinced that the universe is just a weird glitch in the matrix, and either way, it’s a win.

From the ... read more

Alright, let’s get real for a second. I know some people have a soft spot for Human Clay, but honestly, this album feels like a blight on music history. The whole thing reeks of corporate rock that’s more about stadium anthems than actual depth or musical innovation. You’ve got Scott Stapp’s crooning, which sounds like he’s trying to channel some kind of tortured artist, but ends up more like someone screaming for attention.

The songwriting is as generic as it ... read more

Kid A is the album that defined the 21st century in so many ways. It’s not just a record—it’s a bold statement, an unrelenting exploration of sound, technology, and humanity at the turn of the millennium. This album is as much about the way it feels as it is about the music itself. It’s a perfect storm of innovation, atmosphere, and musical mastery that left everything else in its wake when it was released.

From the very first track, “Everything In Its Right ... read more

Okay, Since I Left You is just pure joy. This album is like stepping into a strange, colorful world where every second is packed with quirky samples, infectious beats, and an overall sense of playfulness that makes it so much fun to listen to. The Avalanches create this lush, layered landscape of sound that’s almost like a scrapbook of music history, pulling from all kinds of genres—disco, funk, pop, and even bits of classic rock. But they don’t just throw these sounds ... read more

This album is a relentless, genre-blending trip through every corner of psychedelic rock, garage rock, and prog. From the first track “Robot Stop”, you’re hit with this explosive energy that just doesn’t let up. The thing I love about Nonagon Infinity is that it feels like it’s in constant motion—like the album is a loop, a never-ending cycle that’s always building on itself. That concept of a self-perpetuating album is genius, and King Gizzard actually ... read more

Marquee Moon is one of those albums that feels like it’s always just a step ahead of its time. When I first heard it, I was struck by how effortlessly it blends post-punk, art rock, and even a bit of psychedelia, without ever feeling self-indulgent. This album has a unique vibe—it’s cool, cerebral, and yet the songs always leave enough room for you to dig deeper. It’s the kind of record that grows on you the more you listen, revealing new layers each time.

The standout ... read more

Now this is what I’m talking about. Master of Puppets is the definition of a metal masterpiece—there’s no way around it. From the opening riff of the title track, you’re hit with this massive wall of sound that feels both chaotic and controlled at the same time. It’s as if Metallica somehow distilled every element of metal—speed, precision, aggression, and melody—and turned it into something that transcends the genre.

Every track on this album feels ... read more

Alright, let me preface this by saying I know this is considered a “must-have” album in rock history, and I totally get why it’s revered, but The Joshua Tree hasn’t always been my personal favorite. I can recognize its importance—this is U2 firing on all cylinders, blending rock and Americana into something that feels timeless. But for me, I’ve always felt a little… disconnected from it, despite the undeniable craft here.

On one hand, “With or ... read more

It’s hard to talk about Rumours without sounding like a broken record, but let’s face it—there’s a reason this album has been a classic for decades. From start to finish, Rumours feels like a snapshot of a band on the brink of chaos but somehow crafting some of their most perfect, timeless music. It’s pop rock at its finest, but with layers of raw emotion that you can feel in every note.

The thing that stands out about this album is the chemistry. There’s ... read more

I’ll be honest, Spiderland took a minute to click for me. The first time I played it, I wasn’t sure if I was hearing something groundbreaking or just a bunch of sparse, jarring noises. But then—about halfway through “Don, Aman”—it hit me: This isn’t just music, it’s an experience. It’s like these songs are crawling under your skin and slowly turning everything you thought you knew about rock music upside down.

Slint’s approach to ... read more