Possibly one of the most influential albums of the 21st century, if not of all time. It somehow managed to unite EDM artists, SoundCloud rappers, ambient producers and hyperpop stars all at the same time. I know Imogen is already an incredibly well-established and critically acclaimed artist, but I still wish more people gave her her flowers.
It seems that I have a massive case of earworms, because I must've listened to this album at least 15 times in the last week.
I'd say this is Pink's best project to date, and packs so much in just 20 minutes it's hard not to see why it has so much replay value. I especially like some of the transitions on this project, which make it feel much more complete than her other EPs.
Favorite tracks: Nice to Know You, Stateside, Noises
I find it funny how a bunch of foreigners who don't know what this song is about are trying to describe it while going off of mistranslations and half-rumors.
For the record, they did NOT threaten to kill Dua Lipa. The phrase 'kol kalb bij yomo' (every dog has its day) was NOT meant to be taken literally, and means the equivalent off 'what goes around comes around'. Unfortunately, it seems that foreign news articles took the worst interpretation of the lyrics and ran ... read more
The review bombing on this song is upsetting, yet not surprising. I'd appreciate if the reviews could actually refer to the substance of the song instead of the surrounding context. Almost none of the reviews are trying to approach the song objectively.
Personally, I think that while it suffers from its faults (which are mostly caused by the overproduction typical of Eurovision songs), in general the Israeli team made a good job conveying the feelings of moving on from suffering and grief, ... read more
הפתיעה לטובה. סחתיין.
שירים אהובים מהפרוייקט: תנו לי לשכב, דאבל טאפ, כדורים?
הכי פחות אהוב: כפיים לגזורים
*עריכה: אחרי שהייתי במופע ההשקה שלה אני מעלה את הדירוג לכמעט 80. לא יודע למה אבל האלבום מאוד גדל עלי בתקופה האחרונה, אולי בגלל שהוא בא ממקום כנה כל כך. זה ברור מכל דבר ... read more
After Mr. Morale I feared it wasn't possible for Kendrick to drop another banger album, yet he proved me wrong.
What can I say that hasn't been said? The formula works, the songs bang, SZA features are ethereal, and Mustard is finally getting the flowers he deserves. This album has enough for both the lyricists and head boppers to eat. In true Kendrick fashion, he pays homage to both 80s hiphop and the modern music scene, and in the process makes it clear what the 'culture' ... read more
I wish I could listen to his music while he was still alive.
That man is a legend and his donations to the music world will always be appreciated
I underestimated this album.
This album perfectly encapsulates the mid-2010s for me, and has guided me through all my teenage years. It's only after these years have passed that I am able to appreciate it fully for what it is.
Thank you, Porter, for everything <3
Most of this album consists of Eminem trying to gain himself the same edge he had at the start of his career by using the character of Shady as an outlet. The problem is that this trope doesn't work anymore. Eminem has already reached the heart of the mainstream and gained more accolades than most people could ever dream of. He has no need to punch down on transgender people or the disabled. He's a 50 year old grandpa who lives in a mansion. The only people he can really try to anger ... read more
I admit, I was skeptical about the new aesthetic when Porter released the singles from this project, but this album has honestly been growing on me. If you're expecting the same thing as Nurture, you might be heavily disappointed, but I can assure you that the shift in genres doesn't indicate a shift in quality. Porter's production is still as polished as it ever was, even as his influences shift from EDM and pop synths to 2010s-esque indie rock.
Regarding the project itself, ... read more
Good album overall, although it falls a bit short towards the second half. Maybe it will grow on me eventually, but for now, I think it's a decent winter album full of bops. If you're looking for something to listen to on the bus or train I highly recommend giving this a shot.
🌟Favorite tracks: Mosquito (an actual banger, I could listen to it all day), Capable of Love, Bury Me
😕Least favorite: Feelings (biggest miss on the album imo. Had the potential to be incredible), Boy's a Liar Pt. ... read more
I could honestly replay this all day. In fact, I already have over 20 times. Also, it took me an embarassingly long amount of time to realize this song is about money and not just some dude.
Phenomenal work on the track as always. Incredible production. The transition from 1:23 to 1:34 is godsent
One word: Mid.
Still pretty good by Tiktoker standards, although I expect more from the 12 writers on this project.
I Got it Bad is semi-listenable. Apart from that, nothing stood out to me. It all just felt bland as I drifted away into a deep snooze.
Wtf??? I thought this album was MID! what happened to me in the last few years?
I'm still conflicted on whether I should like or dislike this album. It has very high highs and pretty low lows. The highs outperform the lows for the most part, but I can't help but feel like a large piece of the puzzie is missing that could make the album incredible.
Strong points: incredible production - Dylan Brady on top of his game. Creative use of samples, a unique style that I can only describe as the ... read more
This album is absolutely phenomenal. I'm still having a hard time recollecting my thoughts on it. All I can say is that it's a cathartic, emotional experience full of airy dance pop tracks that make you feel like you're floating. The production is rock solid and no moment feels empty. I got exactly what I expected from the singles and more. This will likely be one of those albums I'll feel more of as time progresses and I'll get to experience it with a wider range of emotions, but for now I'll ... read more
Somehow better than the original album. One of the few times I felt that the bonus tracks add on the source material.
🌟 Favorite tracks: Sing About Me, m.A.A.d city, Money Trees
Least favorite: Real, Now or Never, BDKMV remixes
This album starts off with bangers - tracks so good you can get engulfed by, but sadly ends off with a lot of snoozers and tracks that sound dissonant and out of place. It's a shame, because it's clear that if more effort was put into it it could've been one of the best synthwave albums of the last decade.
Favorite tracks: We're Finally Landing, Synchronize, Before The Night
Least favorite: Sleep, Nosebleed, Without a Sound
Massive shoutout to Summoning Salt for making me discover this sound ... read more
This album is singlehandedly responsible for the music taste I have now. It was the first hip-hop album I listened to in full and my introduction to the music community. I still remember the feeling of being 15 on a school trip, listening to it for the first time and being absolutely stunned because I thought hip-hop was such a dense genre up until then. Since English is not my first language, I was first overwhelmed by the warm, sugary sweet and almost comforting feeling of the album, but the ... read more