Few albums make me feel like i'm in either an otherworldly amusement park or the most mundane nike store in a strip mall, but the highs for sure make up for the more lowkey and less experimental lows.

One of my favorite trap albums ever! full of forward thinking, catchy, and downright dirty vibes, that builds on the sounds of mid 2010s rap scene with incredible results.

A girls journey with herself is something that never stops and this EP is something that always reminds me that I'm not the only girl who grew up weird and online. Every song is a reflection of feelings I've been struggling with since 2014 and now that it and the rest of Kitty's music is with me I don't feel so alone in that. ♡

Favorite song - BrB ˘ ³˘❤

Incredibly ahead of its time, a genuinely awe inspiring, cute, and bubbly track with addicting as hell kicks, and a powerful performance by kitty. 11 years too soon.

To call this album nostalgic and formative for me would be underselling it sevenfold, this truly is an album only called Nu-metal to make the subgenre not seem like a talent void. To this end the album performs far and above the usual call of duty typically expected in Nu-metal. All of this to say the riffs, screams, singing, and political commentary all blend seamlessly into a sonically rich and sophisticated 44 minute listen. Aerials is better than most metal bands entire discography and this ... read more

Yameii is a rare gem among other English focused vocaloid projects, even with the tuning changing from track to track on the project (a side effect of the song by song basis these tracks we're made with) I find the aesthetic and general vibe of the whole thing to be an enjoyable experiment with mixing the oldschool internet "webcore" aesthetic with the hyperpop production of Deko, who while as a producer I find very enjoyable, though as a rapper? He's a distraction in the mix with a ... read more

Front to back perfect alternative R&B record, I find each and every track interesting and I'm still noticing new small things with each relisten, a VERY high recommendation from me.

I rate this album a 13 to only attempt to communicate the yearning for spiritual death this project instills in me. The aesthetic of the whole thing mixed with the fact that Melanie Martinez herself experienced NO form of trauma at ALL. The album romanticizes the worst aspects of the 2016 abusecore ddlg aesthetic underpinned with tracks that feel super uncomfortable in their sexual themes or undertones. All of this is to say that the album is hardly a departure from other generic pop acts from ... read more

World Wide Web while only being an EP is the peek of the original danger boys aesthetic, every track is incredibly produced and the mixing is remarkable as well as the layering of the voices adds quite a lot of texture and an almost ghostly vibe on the track Online. The title track also includes only what I can describe as a euphoric beat switch followed by the best Boothlord verse of any Danger Inc song ever, and Louie's chorus adds a nice bit of sweet vocals to close out the track. Offline is ... read more

Listened to this LP back in early 2016 and have been enchanted with its sound ever since, while the amateur lyrics and high pitch singing might be a turn off for some I'm infatuated with Louie's solemn yet slick delivery and Boothlord's booming voice and ice cold flow. There is also the aesthetic aspect of the album that I find particularly enthralling, it's focus on refencing media from around the mid 90's to early 20's give this project a very vintage feel despite being a cloudrap project ... read more