Aaron-Fraser Nash doesn't care about art. He cares about making money from children.
Logic finally becomes the artist he was always meant to be.
Self-introspective, mature, honest and somewhat nerdy, this Jazz Rap/Boom Bap album is an incredible showing from the Maryland rapper. Incredible production, incredible flows, surprisingly honest and theurapetic lyricism in which he tackles everything that's on his mind (from the way he's looked at by music fans like me, to his trauma from being molested, to his love for art, to even his status as a biracial person), Logic ... read more
Lil Dicky, or as I'm going to call him throughout this review, Dave Burd, seems to be endlessly conflicted as to what his direction in music seems to be. Is he nothing more than a jester, a simple novelty rapper, or is he something more: a professional rapper whose words and art are to be taken seriously? As of recent, he seems to have made up his mind and said: "I'm a neither. I'm a culture vulture who used the hip hop scene to get a television show made about me. ... read more
"Where the fuck is Mario Judah?"
Well, here he is back again. This album follows up his debut "Whole Lotta Red", a slightly less than genuine attempt to cash in on Playboi Carti's hype, and also follows on a series of strange posts on social media about the end of the world. After the Carti bandwagon is done and over with, and following a series of controversies involving conspiracy theorist comments, possible abuse of his ex-partner and being fucked over by his label, ... read more