i’ll try to put my thoughts about this in depth later, but for now let me just say thats why might be the best song ever written

this album very much feels like a mixtape, and i’m honestly okay with that. this thing is a bit all over the place. there’s certainly lowlights, and for me the most noticeable one was surprisingly “danny’s track.” danny brown sounds pretty bored and hes in a bag that i dont love him in, but he has a couple nice bars and its very short, so i dont feel too bothered by it. i really really dont mean to pile on to the endless aoty quadeca glaze but holy shit everything ... read more

what can i say i am a sucker for ethereal music. 90210 is one of the best 25 songs ever made btw.

tears streaming down my face yeah i need the album

pink floyds best album argue with a wall… wait… say that again….

not even trying to glaze or anything but this might be his best song yet. it has lush instrumentation, i love the drums that build on it, a sweet and moving chorus, and these large beautiful harmonies sprinkled throughout just tie a little bow on it all.

i have some minor gripes with mixing here and there, and its not the most cohesive at times, but ultimately his unique blend of styles wins me over. the infectious edm and hyperpop blends with subtle elements of cloud and trap in an interesting way, and i like how the rawness conveys itself with the theme of the album- a young person that struggles handling the pressure of fame and expectations. shoutout 2hollis

aoty rym core garbage ofc you weirdos were gonna like this horrible terrible song 🙄🙄🙄🙄

in all seriousness this song is so lush and beautiful. legitimately one of his best, and that feels crazy to say so soon

insane production, emotionally potent, and an overall captivating shoegaze experience. jane got me saying pretentious shit. can’t believe i put this album off for a year this shit is incredible.

FAVORITES: lips, holding a leech, idling somewhere, census designated, backseat girl.

she has reached goathood.

TRASH IT FOR A BITCH WITH NO CREDENTIALSSS

genuinely a pretty faithful rendition of that classic big band nuclear family ass christmas sound. the backing vocals get pretty rough, especially on baby, its cold outside. other than that, schlatt’s voice just works with this sound and its a fun novelty!

oh tyler… where do i even begin?

holy mother of peak.

Madonna is maybe the funniest comedian of all time

incredibly fun and beautifully introspective. how can you not want charli to win

pretty good!

i mean it has its moments. this song loses 10 points because in the back half em says some vaguely insensitive shit and is like “yeahhhh i bet you’re offended.” for an eminem chorus it could be worse, and he actually finds a pretty enjoyable pocket on the verses. the flip on without me kind of grew on me and i thought the instrumental was effective in being 2000’s eminem reminiscent without sounding super outdated.

i think the bigger problem is slim shady himself in ... read more

super charming album with a lot of potential. sniper gonna fuk and rifle crew are genuinely crazy

what if dev and quad couldn’t hear what they were doing when they made this? what if that?

idk why we gotta expect a drake diss to be the story of adidon. that’s not only by far the best drake diss, but maybe the hardest hitting diss track of all time, we gotta lower our expectations. with that being said, this had so many quotables, insane delivery, and it reads like a warning track more than a diss. i want drake to respond JUST to hear what else kendrick has, because this was nuts

i expect this album to grow on me as i get more acclimated with this sound, but as of now the mix is just a bit too muddy for me to be in love with this. i feel like the album peaks with when you sleep, and fizzles out a tiny bit. with all that being said, it’s a really good project, and when it hits the mark, it hits it really hard.