As tired and formulaic I think windmill scene has become, Robin Callaway is still able to pull it off incredibly well on None Deserved. The more singles I hear, the more excited for the new album I become.
The goat just does not miss.
The ideas once explored on the Dirty Little Car EP have now come to fruition.
This is quite easily Trout’s best work so far. The jazz influences have been turned up a notch, and our lord and savior continues to expand his sound by adding a hefty touch of IDM and Electronica. I very much enjoy the blending of IDM, Jazz, and Experimental Hip Hop on this record. Another notable thing is that the majority of the songs here are actual listenable songs and not just jokes. While there is still ... read more
I may have underrated this one.
Our lord and savior, Trout’s work has a very different feel in a live setting. On first listen, I regarded this as a bad thing. Now, I have come to see the error in my ways. Live from the Scary House has a very improvisational feel to it. It almost has a jazzy vibe to it due to everything being done on the spot. This improvisational feel actually works really well for songs like Aglet and damn. It’s interesting and I hope to see more live works that ... read more
Honestly might be our lord and savior’s best outing. The genre switch to industrial works very well, and I hope we see more of it in the future.