cosmogramma is an album that manages to be complex without feeling distant. it blends elements of jazz, electronica, hip hop, and experimental music in a very natural way, with songs that constantly change but maintain a clear identity. it may sometimes seem chaotic on a first listen, but the more attention you pay, the more details you discover.

zushi is an album that combines relatively accessible songs with more abstract and fragmented moments. unlike his more chaotic or difficult-to-follow work, here dean blunt seems to focus more on melodies, vocals, and a constant sense of emotional detachment. the songs often give the impression of being intentionally incomplete, but not carelessly so; rather, as if they were memories or fragments of something larger.

what stands out most is the connection between brian chippendale and brian gibson. the drums and bass are constantly pushing each other, creating songs that seem on the verge of spiraling out of control but never lose their way. songs like "dracula mountain" and "2 morro morro land" perfectly illustrate this balance

this has a distinctive sound, even within the vaporwave genre. instead of relying solely on nostalgia, it combines kpop samples, technical glitches, and heavily saturated sections, creating a sometimes chaotic, yet intentional, effect. the album also includes numerous melodic moments, preventing it from becoming pure digital noise

i find it to be an extremely intense and creative album, but without being chaotic. zach hill's drumming is incredibly good and fills the whole album with energy, while the electronic sounds and vocals give each track its own unique personality.

chill out is an album that seems simple on the surface, but is actually constructed with uncommon conceptual precision. More than an ambient or relaxed electronic album, it functions as a continuous journey: a kind of nocturnal tour through the southern united states, built from samples, soundscapes, and cultural fragments that blend seamlessly.

rather than direct aggression, it conveys a sense of emptiness, of an inhospitable, almost cosmic nature.
its not an album that seeks to impress through speed or virtuosity, but through persistence and atmosphere.

this album functions as the other half of a conceptual project that delves into horror, but not from a typical superficial or cinematic perspective, but rather through an extremely calculated sonic reconstruction.
while many experimental hip-hop albums use noise as texture, this album uses it as narrative: every distortion, every unsettling silence, seems to have dramatic intent.

its not an easy album
it might seem repetitive on the first listen but if u get into its vibe it becomes addictive
also w zach

michael gira sounds commanding, almost authoritarian
its an album that can feel dark, heavy, and even disturbing but it also possesses something strangely beautiful.

they invocating someone