InfiniteDrizzle

Neddie’s debut album is here, and it’s beautiful. “Passerby” combines the sounds of future riddim and ambient drone to create an amazing soundscape that is very reminiscent of Syzy’s “The weight of the world”. This album has somewhat of a comforting tone to it, with playful sound design and dubstep drums that smack you in the face. Yet this album isn’t a difficult listen at all, rather, it’s quite pleasing. Another high mark on this album is ... read more

Ethel Cain’s latest album is ethereal and melancholic, yet there is a consistent sense of comfort throughout the tracks. The first moments of the album are more simple folk songs, which then lead to very complex instrumental ambient tracks in the back half. This is all combined with Ethel’s amazing songwriting and vocal delivery. A common song structure you see on this project is songs that slowly buildup until eventually dropping out into a chaotic mess of instruments. Examples of ... read more

Alison’s long-awaited 4th album is easily her most authentic work. She has really focused more on songwriting, but the instrumentals are still amazing. GHOST WORLD consists of trap and future bass, but Alex’s higher register vocals give certain tracks an indie feel especially on “iwannaliveinadream”, “Everything Comes In Waves”, and “Again? Fuck.” While there is no continuous narrative, some songs seem to be about her motherhood and how it affects ... read more

Puppet’s 3rd album is easily his most impressive work yet. He has truly mastered his punk/EDM combo, with noisy guitar riffs, chaotic drum fills, and more present than ever, death growls. Narratively, Victory follows Puppet with his struggles of being a musician and having an online presence. Multiple times throughout the project, Puppet uses a construction site as a metaphor for his mental state. His perspective on being an artist is always changing, but his mistakes aren’t ... read more