When I was a kid watching TV, I had this thing where I didn't like it when a TV show's theme song had the show's name as a lyric.
Other than that, the track's fine.
Someone needs to answer for the fact that Riot Ten still has a career.
I really dislike tracks like this because they resemble little to none of the things that attract me to EDM and dubstep, especially. This is such a hollow track; it's depressing seeing it come from someone like Subtronics, who is capable of making great music.
Maybe my attachment to this album is primarily based on nostalgia.
But who cares?
(Also the production on this album is genuinely top notch imo. A prime example of an album that knows what it wants to be and isn't afraid to do what it takes to get there.)
See my review of the "LET YA SPEAKERS BLEED" ep.
more obnoxious than memorable tbh.
In order for a song to be good, it has to be at least a little obnoxious or else there's nothing to remember.
This EP has a lot to remember.
Not their best separately or together, but still miles better than many of their contemporaries.
If you've seen any of my reviews, you can tell the type of music I'm into (dubstep, EDM, trap, generally heavy EDM), so coming into an album like this obviously requires a change in expectations. But having said that.... how do people find this guy interesting enough for him to have the career he's had?
I generally don't like labels like "Zara music" or whatever because they're reductive and generally just unfair to whatever you're listening to. But if ... read more
Why is John Summit trying to be Isoxo for white people?
Other than that, this song is criminally unremarkable.
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