Too well balanced.
It's true that versatility is the charm of this band, but there must be some bias.

I like Kenny Segal's work, but I'm not good at working with Billy Woods because it feels decadent.

It's not bad by any means, but it feels unsatisfying because it's too ordinary for The National's work.

It may be rude, but I feel that if Bon Iver had not become popular, the style would have been like this.

I want this genre of music to remain in any era.

It is a pity that the melody lacks development.

The perfection of post-hardcore.

A valuable work that proves the transition period from post-hardcore to post-rock.

no more synthesizer.

Noisy but pop. Gloomy yet idyllic.
A work that became the foundation of indie rock after them.

I don't know of any other musician whose talent depletion is more pronounced than that of Billy Corgan.
With three guitarists, how can it be such a cheesy keyboard-driven song?

They have good taste, but their range of melodies and arrangements is narrow.

Increasing the sound has rather lost the individuality.

The sound is cool, but the vocals lack punch.

the arrangement is wonderful.

As far as this band is concerned, I think the move to melodic focus is a disaster.
erasing their attractiveness.

I think it's a good work, but it's a pity that it ended without being able to overcome the hurdles set in Happiness at the beginning.

The perfect balance of sharpness and maturity.

As a Surge solo album, it passes, but as a new Kasabian album, it unsatisfactory.