For me, it’s pretty easy to believe that this only took a week to make.

Drake on here does nothing new. Honestly nothing. Same boring hype track that sounds like a throwaway from For All The Dogs, him biting other culture’s sound and making a boring track out of it, and using a ridiculous sample to make a track about how horny he is. It’s nothing new. Overall, Drake, take a break, take time crafting things most importantly though.

Fav tracks: It’s Up

Least fav tracks: ... read more

This is probably the most atmospheric project I’ll listen to all year.

This record is mainly a bunch of synths and leads played out in a sorta dramatic and dark way with p6nk echoing his ass off on them, and honestly it works. His voice is so smooth on all these tracks, so I don’t mind that I really can’t hear anything he’s saying most times. While I like the outcome of this record, it did get repetitive near the end, which is mainly because of the kinda repeated ... read more

I’m being so damn serious when I say that Kanye needs to consider retirement

This whole album feels so damn messy, boring, and overall so unfinished and rushed. Many of the features on here sounded like they cared as much as the horrendous track “BOMB” on here. The ideas on here as well sound wise just sound so damn plain, like biting a slice of bread, and on the chance he does something remotely different with the sound, it’s a mid-fest anyways because Kanye seems to ... read more

This is kinda good, but I for sure still got issues.

This whole EP sounded well polished and felt more like a step back in some ways, like in energy on most tracks, but something that felt like it took a step down in is creativity. Honestly, the whole time throughout this EP besides Marble Floors, I thought, “damn, is he running out of new things to try?” On some tracks, it sounded like it was one take then done, like on F.O.B or Nightfall Outro, and it’s not like those types ... read more

I appreciate the complete 180 in an attempt to evolve, but this was not that good.

As someone who liked his Bipolar album, and kinda liked scary movie, I thought this would be a solid album and the score was unjustified, but I can see where it comes from. One big issue off the jump I realized was his voice, more specifically the quality. Not only is he not the best singer, it sounds like he kept his same preset from when he did pluggnb, which doesn’t mix well at all most times. Second ... read more

It’s an improvement. An improvement for sure…

On The Death of Slim Shady, the only thing that’s changed is his more obvious edginess and want for cancellation. I sometimes can’t believe that he’s honestly used the same flows for like 7 years and people have never complained. This honestly one of the most obvious things on here, he’s barely changed. The story that was the death of his character, Slim Shady, just kinda trails off after Gulity Conscience 2, ... read more

(Only reviewing deluxe tracks)

Lmao nothing’s changed. The beats here sound cool and unique just like on the non-deluxe, but just like on that project Ken somehow brings it down majorly. His voice gets so damn annoying on here, flows are bargain, and lyrics I’ve heard a million times, but shoutout to Ken for referencing HM, it was a little funny. Overall, this just solidifies my viewpoint on Ken Carson, he ain’t good.

Fav tracks: mewtwo, Overseas

Least fav tracks: toxic, ... read more

This is better on probably all fronts, but still genuinely have no hope for The Death of Slim Shady. I ain’t gonna get fooled lol

It’s alright, but their are still some issues that haven’t been fixed in damn near half a decade.

Ski Mask after STOKELEY took a long ass break when it came to dropping albums, and now after about 5 years, we got a new one. Now to be honest, I’ve long stopped caring about Ski. Last time I listened to him might’ve been 2022. I didn’t have the highest expectations for him, but I sure thought that something would change. I thought maybe he’d switch up the flow, ... read more

(OG 70 REVIEW): This could be a disappointment for some, but for me this is just fine

Xavier returns with his long awaited with sequel, and it kinda has the same type of energy to it. It’s really relaxed, laid back, and it has that familiar 1C sound he got. It really isn’t anything that special, but I think that wasn’t the goal of this. It’s more just like a revised sound of “with”, which I can appreciate. While I liked this, it was a bit too sloppy, with ... read more

I don’t think I’ve liked Polo G since his THE GOAT album. He hasn’t grown since

It really just sounds like MTBMM but more fun, he gotta pack this shit up at some point

Not really excited to see where this might go, but I’m for damn sure intrigued. Don’t know what prompted him to maybe have some more life in him, but I’m here for it. This could possibly be a revival.

Fav tracks: GHETTO SUPERSTAR FREESTYLE

Least fav tracks: JUDY

Idk man I think you did it to yourself lol

6ix9ine has fallen off a cliff relevancy wise, and you could probably say the same for the music. I’ll say this, at least his music back then had a character. You could pinpoint who sung it and say “Oh yeah that’s 6ix9ine.”. I genuinely thought their were hidden features on here till I realized it’s just 6ix9ine. It’s like he’s having a personality disorder on here, like he doesn’t know who he is. When ... read more

J. Cole, you have been officially removed from any top 3 list after this song

“She said I was gay until I slayed now she strictly dickly” bro what…

I see why people hate it, but I’m with it, this shit kinda go hard.

Sexxy Red has been blowing up and most people don’t really like her, or more her longer works like her albums. After seeing Anthony Fantano give her last work a strong 8, I thought he was off crack, but listening to her most recent work, I bet I’d like it. On this record, Sexxy is so unapologetic with her voice, bars, especially bars. It honestly makes me have some respect for her for not diluting everything, ... read more

I’d be lying if I say I didn’t expect this, the singles beforehand set this up for some mid.

I really don’t have too much to say. To me, it sounds like a mix of Vin Jay and AJR on vocals with solid/decent production. That’s it. Nothing else. Genuinely such a slog to listen to. So much filter in each track it’s crazy. The vocals and flows aren’t anything good, and it kinda gives off a corny aura. Overall, this isn’t good, I don’t care what the ... read more

I mean, this ain’t bad, but their are some glaring flaws to it.

Lucy’s album 100% PROD I.V. comes packed with unique, weird, and quirky ideas down in the vocals and production, which I love honestly. Not sound wise, just from a creativity stand point. It’s fun to see someone do something new and be themselves in their songs, so I commend him for that a lot since the underground scene nowdays ain’t that creative. The music itself however is kinda rough around the edges, ... read more

Didn’t expect much, and got what I expected lol.

Ian has been blowing up in the underground scene as of recent, and I really don’t get it. I mean, he kinda sounds a little like early Yeat, but that’s it. The best way for me to describe the sound is like if Chicago drill was mixed with Yeat’s sound, but if it was diluted with bout a gallon of water. Ian himself on here sound limp, bored, anything but a presence. Kinda sounds like he doesn’t care most time, when he ... read more

This is kinda what I expected the score to be, but I’ll admit Billie has grown a little in sound.

On HIT ME HARD AND SOFT Billie Eilish is still keeping her same voice, mostly same type of subject matter, but it still works for me, and it helps that she experiments sometimes with the sound on here. The sound itself is mainly the same, but their are some switch ups from what I usually hear from her, like that kinda weird techno house sound at the end of L’AMOUR DE MA VIE, or kinda ... read more