Lmao good shit Mabu…

You know that one video with that one white kid screaming drill lyrics at his birthday party in some expensive car? I feel like that’s Lil Mabu’s audience. His whole gimmick wasn’t that funny or good from the start, but now it’s just dead, like he’s beating the shit out of a dead corpse. Truly didn’t expect anything from this, since half of these were singles that were made for attention. The tracks that aren’t singles show ... read more

This album is probably gonna be one of the best albums of the year, full confidence.
This album’s is sound is honestly truly beautiful, with the climaxes of each song being neat and well-crafted. The transitions on this album help in being a smooth listening experience overall. The vocals only add to this atmosphere, with them not being too much on here, just enough to tell a story in a couple words. Overall, I came in here not knowing too much about this genre, but I’d check more ... read more

Even if the score is near the same, this is more of a different story. The first half is honestly some of the worst effort I’ve seen through Majin and the features, along with the worst mixing of the album. I thought it would be more of a disappointing listen until the second half rolled around. The second half is what really made the comeback for me. It had better mixing, better flows, better beats, damn near better everything. Overall, second half was better than the first due to better ... read more

This album’s sound is something that really intrigues me, it’s kinda dark, reverby, and pretty cool. Only two issues are is that the sound is practically on repeat this whole album. It’s kinda excusable because there’s only two prod’s Killhaley and Krxxk, but it’s just really repetitive, still good, just repetitive. The another one isn’t as bad of an issue, but it’s still noticeable, and it’s the track length. At most this project is 15 ... read more

What a great introduction to Saba.
This whole album’s sound is so soulful and smooth, it’s really kinda a contrast to the shit he talks about on here. More on the sound and qualities on here though, it’s truly a work of art. Every flow, voice, anything, it keeps me interested. Everything here is so unique to this sound, and it really shows his amount of talent and creativeness. Back on the subject matter though, it’s some deep shit on here. The subject matter consists on ... read more

I mean, you can delete it now if you wanna.
J.Cole, one of the vets in the rap scene, drops a surprise mixtape out of nowhere and conveniently right now Kendrick dissed him. To keep it short, this shit sucks and it’s probably just promo for The Fall Off. This couldn’t sound more lazy. J.Cole sounds like he’s phoning in literally everything, along with every single feature on here (or they actually tried and just sucked), and the beats couldn’t sound more stale. Overall, ... read more

Absolutely not. This EP is bare bones, weak, corny, damn near anything bad. The sound on here is doo do, with either acoustic trap or just acoustic, a sound I particularly despise. MGK and Trippie couldn’t sound more bad on here. Trippie Redd has barely changed since I last heard of him, and I get the feeling that mgk thinks he’s the shit on some of these tracks. Overall, this is truly some generic, bad, “sadboy” music.

Fav tracks: lost boys

Least fav tracks: half ... read more

While King Of The Graveyard was good, this right here is a major step in the right direction. The production on here kinda brings me back to Hundred Acre Wrist and RB3, two of his best mixtapes, along with more Glo influence. Sematary flow and voice wise sounds like he’s trying on here, doing things on here that I haven’t heard him do at all in his career. Overall, a great step in the right direction. I look forward to seeing what Sematary’s gonna do next.

Fav tracks: BLOODY ... read more

Most random collab with the most mid output. Both sound like they couldn’t care less on here cause they knew it’d hit

I don’t get it. Kinda sounds like commercial music.

Mid mid mid mid mid. Really most of what I can say. 21 Savage ever since I am > I was has plateau’d and never went up, only down slightly. Mostly everything here is dull as hell, straight flat, whatever tracks. The sound here is pretty inoffensive, the different sounds on here being so basic. Overall, I love hating, and this is pretty easy to hate on. Straight up nothing and no grow from 21.

Fav tracks: all of me, see the real, dark days

Least fav tracks: pop ur shit, should’ve ... read more

(Disclaimer: While from what the reviews say, Sewerslvt seems like an awful person, I’m not gonna get into none of that cause it sounds like a whole book in itself. I’m here just to review. Now, on with my review of this)

While I kinda don’t know much or heard much of “breakcore” or “drum and bass”, I can say one thing, this has pure emotion out into it. Almost every single track has a set mood to it, and it seems like it was made from the heart, and ... read more

While this is one of the most one note projects I’ve heard, this shit is still pretty entertaining. Lazer’s personality, voice, and lyrics is probably the reason this is relatively high, they all just pull me in. The sound is something I like a lot, the beats on here are pretty cool too, especially with their goofy 808s sometimes. Overall, it’s still good, but a big ass issue I have is that most of these tracks sound the same.

Fav tracks: 7ft Opponent, Wigan Out, Up Strike, ... read more

While my score may not say it, I was very interested and intrigued this whole listen. First issue though, I can’t ignore his slightly annoying voice, kinda thought it was a more recent thing since I only listen to his two most recent albums before this, it’s not really the biggest issue though. The sound of this is honestly great. Firstly, it matches with Lucki’s constant depressive state and lyrics about his life and mainly drug use. And secondly, it really that drugy Future ... read more

Overall score is pretty accurate, this shit is very mid. I don’t really mind all the Christian word and gospel and allat, even if it does kinda get repetitive, it’s more just the sound of this thing. The sound and ideas gives up some high school Christian camp with a big budget trying to make music bout Jesus, but it’s fucking Kanye West. Along with that, it sounds very rushed, very undercooked, underproduced, and overall unfinished, like they bullshitted like more than half ... read more

Lol straight up nothing in here. This is some of the most boring shit ima hear all year, just acoustic guitars and bad singing for a whole 23 minutes. Honestly that’s it. The lyrics can be laughable with how melodramatic they come off, as well as his swearing as it comes off pretty awkward. Overall, straight background noise, play this if you wanna fucking study, don’t play if you wanna listen to music.

Fav tracks: Jubilee Line

Least fav tracks: Losing Face, Your Sister Was Right, ... read more

Holy shit bro….
Deadass the biggest evolution I’ve ever seen out of HM, genuinely shocked and impressed by this shit right here.
The instrumentals are this really loud witch type of sound, kinda like Salem, and Turnabout’s either more melodic smooth robot voice or more his yelling voice fits perfect for what they try and make here.
Overall, the only minor two issues is that while the sound is amazing, if you’ve heard one track, you kinda heard the whole sound of the EP, ... read more

Really goddamn interesting, kinda intrigued me till like the last two tracks. Otherwise, this is a really experimental album, some of the most weirdest rap shit I’ve heard since I listened to Sheck Wes’s mixtape. The beats on here very spacey and melodic, but if that got turned on it’s head 180. Mr. Skeletrix on here is cool, with his dark and weirdly modified voice adding to the atmosphere this whole album created nicely. The down sides are kinda apparent, as the last two ... read more

I’m honestly impressed, I didn’t expect him to go all out. The whole record sounds like some evil shit. Not too evil to where people might think it’s annoying or kinda edgy, but not too tame to where people thinks it’s not his thing. It sounds like it’s made for a villain in Gotham or sumn. Yeat on here has tons of weird ass voices on here, and really sounds like he’s cocky as hell on here, but I like that energy coming from him. It fits the tone well. As far ... read more

Ask me if I care bout Kanye, I’ll say no, and this is 100% the reason. Knew completely that this would be some let down off the single, though not in the way I thought. The majorly of this album kinda sounds like Ye trying to go back to some TLOP or Yeezus form, but fails badly. Kanye on here sounds like he’s trying to hard to come up with something different, so tracks are too long or they just sound weird. Ty on here sounds more robotic than anything, sounding very processed, ... read more