Review #49 of 2026
On her third solo effort, Kim drifts from scratching Noise Rock to phatom on groovy, dense Hip-Hop beats, very appropriate to her visceral lyrical delivery: It's a 30-minute irreverent blast.
Review #48 of 2026
A dark, sentient myriad of sleek Neo Psychedelia that doesn't attach itself to a single orbit, but some of its destinations are more daunting than others.
Review #47 of 2026
If you ask: Why did it take so long for Flea to show this deeply-coded aspect of his artistry? Because Honora, while it sounds like traditional Freestyle Lounge, it's actually the result of a lifetime's gathering of inspiration and company, featuring surprises that will always strike a nerve.
Review #46 of 2026
Sunflower Bean's Julia Cumming just released a solo album; for a performer so associated with nostalgic Rock / Dream Pop, it's fitting that she now explores the Pop Ballad side of her persona: Julia succeeds as a vocal album, and a piece of modern-tailored glowing Soft Rock.
Review #45 of 2026
(Black Midi's) Cameron Picton's New Band Believe showcases the explosive spectrum of Baroque Folk, vocal driven to build tension, yet uncompromising to its sophisticated calm atmosphere; neither a step forward, nor backwards in Post Punk lore: Just sideways.