apart from that amazing bassline, nothing really happens in this song. especially the first half is just the same thing twice. still a bop, but not the banger I hoped for

highlight: damned if I do

a bit of lily allen and sky ferreira, but very tame

this sounds like a song released 20 years ago that makes you feel nostalgic for when you heard it on the radio as a kid

it’s pretty good. cryogen hat a few things that annoyed me, but this is pretty flawless

70->50 god this is grating

first half is shit from the butt but the second half is pretty decent

I think there is a death growl in my pop album

coming from the live version this could have been a good alt rock tune, but unfortunately this turned out to be very overproduced.

Edit: maybe I was a bit harsh, the riff still slaps. I don’t like the production quirks and I think it lacks the soul of the Muse era it tries to emulate.

they should have released this as a propper album with interludes between the song pairs that act as transitions from one sound to the next.

musikalisch gelungen, die lyrics sind mir jedoch manchmal zu plump. fav: so ein brett

favs: Avalanche, Stupid Bitches

metrosexual, performative male, female gaze whatever you call it. curated aesthetics, tote bags, vulnerability. when it opens it’s mouth you see that at the core it’s just a horny straight guy.

the title track is interesting, at least it stands out but the rest kinda blends into one big nothing. OneManMilitia is another highlight, or would be, if it wasn’t so damn short. Makes the whole album feel incomplete.

80 -> 90 this shit is amazing

The tunes are nice but the weird transitions make the experience much less enjoyable

A lost classic, and I am by far not the first one to point that out.
Time flies when I‘m listening to this and Country isn’t normally something I tend to listen to. No Other is a top 100 track.

Mich hats irgendwie nicht abgeholt. Die Produktion fühlt sich irgendwie wie von gestern an. Zwischendurch ein paar gute Momente, hier und da ein catchy Refrain oder ein Vers der einen Schmunzeln hervorlockt, aber leider kommt kaum Flow auf. Insgesamt kein sonderlich erinnerungswürdiges Album, leider. Man kann aber nicht sagen, dass es nicht kurzweilig ist.

Highlights: Unsterblich sein (beide), So rechts
Lowlights: Marlboro Mann, Fallen in Liebe

A perfect record for the cold season, a great mix between dancable bangers and moody ballads. Amazing instumentation and one of the best examples of how to use interludes! 10/10

I really wanted to love this but the house parts don’t do anything for me and many of the pop cuts are straight up boring. My Old Ways is really good though