Quartpenny

It’s always interesting the contrast between K-pop and recognisable Korean cinema, Kpop is distant from every persons feelings, and attempts to sell a cultural ideal that is unnecessary for the majority of the population, while also being near unattainable. Whereas the nations films feel opposite in tone, frequent twists speak to the ambiguity of modern life, and the characters know this.

The album itself is fine, there’s nothing about it that couldn’t be said about numerous ... read more

My nightmares are nothing except that this might one day grow on me.

“Show me in the white community where a comedian is a white leader, Show me in the white community where a singer is a white leader or a dancer or a trumpet player is a white leader. These aren’t leaders. These are puppets and clowns that have been set up over the Black community by the white community and have been made celebrities and, usually, they say exactly what they know the white man wants to hear.”
- Malcolm X

I don’t think trap ever really hit a peak, it in the same way other genres/sub-genres did once they were in the mainstream. All of the artists seemed to fit a non-listeners expectation of the music, rather than go against it.

Here on Rodeo, Travis, did those things better than his contemporaries, and any of his later albums. Yet the flaws of the album are still plain. The lyrics appear unknowingly immature and generic. Even if they are secondary to the production, certain tracks like, ... read more