Wet Leg’s sophomore album wasn’t what I was expecting. They’ve stepped away from much of the breezy, quirky, witty, and tongue-in-cheek charm that made their debut so special and engaging. The levity and playful irreverence of their first album is replaced here by a grittier aesthetic (more distortion, heavier production) and while there are some standout moments, much of the record falls flat when measured against what previously set them apart in the modern indie ... read more
This sounds like what I would like Grimes to have kept sounding like.
After Dogsbody and its abrasive, confrontational energy, Pirouette feels like a turning inward - a more intimate offering that draws the listener in with a surprising gentleness. It melds industrial textures with pop sensibilities, creating a soundscape that’s both raw and accessible. What stands out most, though, is its emotional sincerity: the queer themes aren’t just present - they’re lived-in, tangible, and delivered with a kind of unfiltered honesty that’s hard not ... read more