Ashnikko has been under my radar for a while, namely due to the singles that have been leading up to this debut mixtape, as she is presenting a blend of genres that is quite distinctive, truly displaying a signature sound that comes off as thoroughly unique to me, as nothing that I’ve listened to before is quite similar to “DEMIDEVIL”.

I consider that the most focal point of the mixtape is to showcase what she is capable of doing as an artist and not necessarily to propose an ... read more

This new record from ZAYN is exactly what you would expect from someone titling their tracks as “Vibez” and “Unfuckwitable” and known for former One Direction fame, it is nothing more than run-of-the-mill radio pop now embraced around a nondescript R&B aura.

Admittedly this is not something right up my alley, so it’s no surprise that I absolutely despised it, yet it is still fun to express your unfathomable hostility towards something every once in a while, ... read more

While not necessarily groundbreaking within the post punk scene, “Drunk Tank Pink” serves as a batch of tracks that are still rather refined, a balanced mix between high-octane performances and ones than lean more towards a mellow and gloomy approach, in old punk fashion.

The year has just started and the genre that has been dominating thus far is punk, we’ve already gotten two records that are appreciable but this one sticks out much more in comparison to the Viagra ... read more

As with any of the recent releases that held any kind of weight in 2020, out of any of the albums that managed to retain a user score above 80, there's always something about them that stands out, a category in which they excel at more than any other and Phoebe Bridgers' "Punisher" could easily hold the title of the most emotional, sorrowful and saddening work from last year.

I'm going to come clean right off the bat, this is one of the few records from last year that, despite being ... read more