This is definitely not the kind of music I’m used to. MOTOMAMI was a very mixed bag for me. It starts with some really creative and fun tracks, and I liked La Fama a lot, The Weeknd’s feature fits perfectly.
I’ve never listened to a full reggaeton album before, so maybe it needs a few relistens, but on the “Mami” side I found some of the production a bit empty. Still, Rosalía’s voice shines through in many moments, and even without understanding the ... read more
I can’t believe it… another perfect album. This is Tyler’s masterpiece, the one that finally shattered the idea that he was just a loud, spoiled kid making shock music.
The production here is unbelievable. Tyler keeps his distinct voice and mixes it with such a unique, colorful soundscape that it just works. The album flows flawlessly, from the peaceful early phase, where he’s in love, into the chaos of heartbreak with songs like I Don’t Love You Anymore.
Then ... read more
I tried to find a reason why this album isn’t a 100, but I just can’t. It’s like ten of the most perfectly crafted songs ever made, all unique, yet fitting together like a puzzle.
This isn’t just alternative rock, this is Radiohead. The way they blend other musical elements while keeping that unmistakable feel is pure perfection.
Nude is peace turned into a song. Jigsaw Falling Into Place has one of the best choruses ever. Weird Fishes brings some of the catchiest ... read more
This album caught me completely by surprise. I had never really heard of Black Country, New Road before, but when I did, it instantly became one of my favorites.
The way every instrument blends, from the guitar to those pure sax solos, is beautiful and so unique. The Place Where He Inserted the Blade is a masterpiece of this decade, the one track everyone waits for. But don’t overlook the rest, because the album’s flow and quality are just otherworldly.
It’s an album that ... read more
This is the definition of soul. The bass is insanely groovy and the sexiness of this album is dangerous. Untitled is where you really feel the full vibe, it’s my favorite track and pure production bliss. The closer Africa is a pleasant surprise, with a chill rhythm that ends everything perfectly. I also noticed how much D’Angelo influenced other artists like Lauryn Hill, who he even collaborated with. Overall, a wonderful album, not a single skip.