Tho is honestly pretty dope. Schlatt has a very nice voice that fits well with all of these songs. Nothing new, nothing vey exciting, but overall very impressed, especially since this is coming from a YouTuber.

I don’t think it’s terrible, but Chanel Boy feels a little underwhelming compared to Uzi’s usual energy. Not my favorite Uzi single, but overall pretty great.

Holy peak

Cabin in the Sky is a warm, heartfelt tribute with rich production and thoughtful verses, only occasionally slowing down due to its long runtime

Tranquilizer blends shimmering, analog-style sample kits with glitchy digital chaos, creating a richly textured world where memory and machine collide. It’s beautifully dense and immersive, though at times the wealth of detail threatens to bury the emotional core beneath its complexity

This version of ‘Wish’ gives Trippie’s melodies a dramatic new edge, swapping the usual trap atmosphere for lush orchestral backing. It’s a refreshing twist that highlights his vocals well, though the symphonic production can overpower the raw emotion of the original. Beautiful

Rodeo stands out for its meticulous production and Travis Scott’s commanding, hard-hitting performances, ultimately emerging as a genuine gem within the modern trap era

Nostalgic as hell

WORLDS APART* is catchy and smooth, showing Tommy Richman’s growing range, but some tracks blend together and lack the punch of his strongest moments.

While this album doesn’t do anything out the box, this album proves that Carti has mastered the concept of being simple but yet perfect at the same time. The vibes on this album is amazing and chill. Truly amazing work.

I feel that Eternal Atale didn’t live up to the hype when it first came out. But now after a few years have gone by, this has truly aged really well. This album has some of Uzi’s best work like Prices and Baby Pluto, and the production on these tracks are really well made.

Bleh.

Dave delivers one of his most focused and emotionally rich projects on The Boy who played the Harp, blending sharp storytelling on with soulful production. It’s a mature, thoughtful album on his beliefs that truly shows his full potential.

One More Time tries to merge Aerosmith’s classic rock with YUNGBLUD’s modern edge, but the chemistry never really lands. The EP feels polished but oddly lifeless, like both sides are holding back instead of pushing each other.

On MANIA, SoFaygo refines his sound with tighter hooks and glossy production, delivering his most cohesive project to date. It balances rage, melody, and atmosphere in a way that finally feels like his lane. Truly proud of him man.

I don’t like NF. He is bad. Muy malo. 🙁

Stardust is Danny Brown at his most experimental, fusing hyperpop, electronic chaos, and sharp lyricism into something completely new for him. It feels like a creative rebirth, with wild, glitchy, and full of the clarity that comes with finally being sober

The vibes on this album is flawless, with some hard-hitting trap beats and great flows. Offset is definitely making some of his best work on this album. Sure, maybe it’s not truly outstanding for albums in 2025, but for Offset’s discography, that could be a consideration.

Offset tries to bring back his Migos flow, but it ends up being off-putting with some unusual production and weak performances.

I’ve never been a fan of Kodak, but I will admit there are some songs on here that were pretty decent. But overall, not impressed. Kodak is doing his typical thing on here, and it’s nothing to live up to.