shreepyyy

I really appreciate this album for being one of the only few very albums for picking a rare theme for the punjabi industry, and sticking to the theme for the entire album making it a good album experience. It is rare for an album but Ap Dhillon had already introduced synth pop before this album in the industry before so it does make it seem less impressive and lile trying to ride a wave.

Vibe despite being a Bhangra song fits well in the album. Black and White has a catchy hooks and the sped ... read more

I sincerely believe this is a better project alone is better than the entire trilogy, because of the consistency in this album which was missing in the trilogy, the trilogy had higher and highs and lower lows. Apart from Live for which is a shame is on this beautiful album, all songs are good and feel important. It is sonically consistent, bold and experimental, which makes me confused for its poor critical reception.

His best album and arguably the best Punjabi album ever, it has some of the best classical punjabi instrument pop-rap . Radio and Kharku the best songs. The into uses tabla instead of dhol and perfectly captures that desi trucker life vibe. Most songs aren't notable but if I had to show a music need a punjabi album , it's either this or BTFU by Karan Aujla, because even if they dont like it these albums at least incorporate our culture and would sound unique.

I wonder what Karan does differently that allows him to consistently have perfect production. Maybe he just let's them do their thing.. xD.

I see how this album might feel soulless, well he certainly has a lot he could say with the way he got here, but the industry doesn't have the right audience.

The lyrics aren't too special on this one, except for 7.7 Magnitude. Ikky cements himself as the best producer in the industry with this album, with the rock influence and ... read more