dumbest album ever
fav tracks: helicopter, stole ya flow, playa, no trespassing, dont be dumb/trip baby
75 ----> 85 better second listen

rocky is the best to do it

fuck this shit

EUSEXUA is a bold and unapologetic album that immediately grabs your attention with its confident energy and experimental production. From the very first track, it’s clear that the artist is not interested in playing it safe. The beats are inventive, the melodies are striking, and the overall sound is both edgy and polished. It’s the kind of album that feels like it was meticulously crafted while still maintaining a sense of spontaneity and fun.

What makes EUSEXUA stand out is its ... read more

Private Music is a solid, atmospheric album that showcases Deftones’ signature mix of heaviness and ethereal textures. From the first track, the band balances intense guitar riffs and powerful drumming with ambient layers and melodic passages, creating a sound that is both aggressive and immersive.

Lyrically, the album explores emotion and introspection, often touching on themes of struggle, desire, and tension. While some songs hit harder than others, the project as a whole demonstrates ... read more

Lonely At The Top is a strong, confident album that blends introspection with braggadocio in a way that feels effortless. From the opening track, it establishes a mood of reflection and ambition, exploring the highs and lows of success while keeping the energy engaging and dynamic.

The production is tight and polished, mixing atmospheric beats with sharp rhythms that complement the vocals perfectly. Lyrically, the album strikes a balance between vulnerability and self-assuredness, giving the ... read more

Man’s Best Friend is a decent listen, but it often feels uneven and underdeveloped. There are moments where the production shines, and a few tracks manage to stand out with interesting beats or catchy hooks, but much of the album lacks cohesion.

Lyrically, it’s not very strong—some parts feel repetitive or shallow, and the themes don’t leave a lasting impression. It’s the kind of project that has potential but doesn’t quite reach it, leaving you wishing ... read more

Ego Death At A Bachelorette Party is a quirky, inventive album that blends humor, experimental sounds, and surprisingly thoughtful moments. It’s playful and chaotic, but there’s an underlying craft that keeps it from feeling completely random. The production mixes electronic textures, off-kilter beats, and catchy hooks in a way that rewards active listening.

Lyrically, the album is equal parts absurd and clever. The themes range from self-reflection to satire, creating an ... read more

Flower Boy feels like a turning point in Tyler’s career. It’s warm, introspective, and surprisingly tender compared to his earlier work. The themes of loneliness, self-discovery, and identity hit hard, but the album balances them with beautiful melodies and colorful production.

The mix of jazzy chords, bright synths, and soulful features creates a dreamy atmosphere that makes it endlessly replayable. Some tracks feel slower and less impactful compared to the highlights, but the ... read more

Don’t Tap the Glass feels like a burst of pure energy. From the very first track, it pulls you out of your seat and throws you onto the dancefloor. The whole album carries this message of “don’t stay still, let go, move.” It’s impossible to just sit back and passively listen—the rhythms demand your attention.

The production is incredibly tight: heavy bass, bright synths, disco and funk touches, even some electronic edges. Everything blends together ... read more

Cherry Bomb is chaotic, messy, and loud—but that’s exactly what makes it so fascinating. The production is abrasive and experimental, almost like Tyler was trying to push boundaries just for the sake of it. Sometimes it works brilliantly (tracks with smooth jazz sections or unexpected melodic turns), and sometimes it feels overwhelming.

It’s not the easiest album to listen to, but it’s an important one. You can tell Tyler was breaking out of his earlier style and ... read more

IGOR is nothing short of a masterpiece. It’s messy, emotional, raw, and yet so beautifully crafted. The way it blends hip-hop, R&B, and electronic influences is seamless, and every track flows into the next like one long, bittersweet story. The distorted vocals, layered synths, and the mix of vulnerability with chaos give it this unique, unforgettable character.

Lyrically, it’s not about complexity—it’s about emotion. The pain, the confusion, the longing… it ... read more

Chromakopia is Tyler at his most colorful and eclectic. It feels like he’s pulling from every corner of his creativity—funk, soul, electronic, hip-hop—and blending them into this vibrant, unpredictable mix. The album jumps between high-energy bangers and more atmospheric, experimental cuts, keeping you on your toes the whole way.

While it’s not as tightly structured as IGOR or as emotionally direct as Flower Boy, it has its own charm. The playful energy and willingness ... read more

good kid, m.A.A.d city is nothing short of a modern classic. From the very first track, it pulls you into Kendrick Lamar’s world—a cinematic, fully realized Los Angeles coming-of-age story that feels intimate and universal at the same time. Every beat, every verse, every transition is meticulously crafted to serve the story, making the album feel like one continuous experience rather than a collection of songs.

The production is flawless, balancing West Coast hip-hop roots with ... read more

The Forever Story is a bold, cinematic album that showcases an artist at the top of their storytelling game. From the opening track, you’re drawn into a world that feels both intensely personal and broadly relatable. The production strikes a perfect balance between soulful, melodic moments and hard-hitting, modern hip-hop beats, keeping the listener engaged from start to finish.

Lyrically, the album is impressive. The artist dives into themes of struggle, perseverance, community, and ... read more

Mr. Morale & The Big Steppers is a masterclass in modern hip-hop—ambitious, raw, introspective, and impeccably executed. From the first note, Kendrick Lamar commands attention, guiding the listener through a deeply personal journey that touches on trauma, growth, identity, and societal pressures. Every track feels purposeful, contributing to an overarching narrative that is both intimate and universally relatable.

The production is flawless, balancing experimental beats, soulful ... read more

Melt My Eyez See Your Future is a deeply immersive album that balances raw emotion with precision production. From the opening track, it’s clear this isn’t just a collection of songs—it’s a journey. The beats are polished yet intimate, blending traditional hip-hop elements with modern, cinematic touches that create a vivid atmosphere throughout.

The strength of this album lies in its storytelling. Each track feels personal and reflective, exploring themes of struggle, ... read more

Rodeo is Travis Scott at his most ambitious and atmospheric. From the very first track, the album immerses you in a dark, moody soundscape filled with booming 808s, swirling synths, and hypnotic production that feels cinematic. It’s an album designed to be felt as much as heard.

The strength of Rodeo lies in its vibe and cohesion. Every track feels like part of the same twisted, adrenaline-fueled universe. Travis blends introspection, braggadocio, and surreal storytelling seamlessly, ... read more

JACKBOYS is a high-energy, flashy showcase of Travis Scott and his label’s talent, but it doesn’t quite reach the heights you might expect from a full collaborative project. The production is tight, cinematic, and packed with hits—there’s no denying the beats are slick and perfectly polished for stadium-ready moments.

The problem is consistency. Some tracks feel like bangers that could dominate charts, while others get lost in the mix, leaving the project uneven. ... read more

Donda 2 is honestly an interesting album. You can clearly feel Kanye’s mad genius side, but at the same time, the whole project often feels rushed. While listening, you keep thinking, “If he had spent a little more time on this, it could’ve been so much better.” Unlike the first Donda, which had a strong concept and a dramatic structure, this one feels more like Kanye went into the studio, recorded whatever was on his mind, and then tried to piece it together later.

On ... read more