Modern Vampires of the City is one of those albums that instantly makes me feel nostalgic. While the back half falls off a bit—though I have a soft spot for "Young Lion"—those first seven or eight tracks are great. The Vampire Weekend sound shifted here. They were growing and maturing just like I was, and that's a special feeling.
Top Tracks: Unbelievers, Step, Hannah Hunt, Everlasting Arms, Young Lion
Bottom Tracks: Worship You, Hudson
This album is unhinged and ready to slash my tires but like... it's MY tires so idk I sort of feel special
This album is a pure, glorious groove. From start to finish, there’s a calming yet steady thump between the drums and bass, effortlessly forcing a subtle head bob. Light, feel-good guitar riffs, elegant piano and string accents, and, of course, Marvin Gaye’s soaring, heavenly vocals all blend together in a seamless, symphonic bliss. Each track flows smoothly into the next, creating an immersive and almost meditative listening experience. And that flute on "Right On?" Pure ... read more
While my review contains a fair amount of criticism, it’s only because I truly believe The Glow, Pt. 2 had the potential to be a very solid album. There are engaging highs, but they’re weighed down by some frustrating lows. My two biggest issues are with the excessive ambient filler and the recurring “foghorn” sound, both of which ultimately launch a downward trajectory.
First, the ambient filler sections—or rather, the sheer amount of them. Out of the ... read more
Siamese Dream gives the "Big Four" a serious run for their money. Corgan’s unmistakable vocals—both anguished and commanding—belt over the dense, layered guitars and punchy drum fills. The album is loud, and ready to explode, yet it also knows when to pull back for moments of sweetness and introspection. Every shift in tone feels intentional and immersive.
While there's several recognizable classics, the standout for me is "Mayonnaise." Its immaculate ... read more