A softly layered soundscape of dreamy, groove centric, sophisti-pop. The Marias gorgeously switch between various genres that blend into their sound with barely any issue. The gloomy themes of sinking and trying to resurface bring an atmosphere to the record that’s all too relatable.

Krallice really put you in a place that requires your full attention to its atmosphere. A black metal record that puts you into massive void, while pummeling you into submission. The scope here is melodically beautiful and some of the finest this genre has had to offer. A pinnacle of this band’s impressive catalogue that still has ceased to slow down.

It’s not as consistent and has less of the “WOW” factor compared to their EP “PHOENIX”. However, it’s not soulless; in fact there’s a lot more soul. It’s the lack of fun, spaced out moments with improvised instrumentals, from the trio. Those were some of the most impressive parts that made them stand out. Here, tracks feel too tight on length and just fit the standard. “PHOENIX” broke the standard of how Pop, Funk and classical Jazz ... read more

Opeth have never sounded more in tune with their creative direction, that’s their most mature and gorgeously constructed record in a minute. Blending their progressive sound while giving the aggressive side of their younger years (with further exploration) is like an aged, wine that sounds as good as it could taste.

I would rather cut my left forearm and lose my right eye than listen to this again. The most awkward and terrible attempt of blending metal genres. We have Brand of Sacrifice and AndrelamusiA in the core scene, that are better at handling BERSERK’s themes with weight, understanding and creativity, in their sound; thanks.

Gorgeous, lyrical imagery and echoey, chorus vocals paint a portrait of Anastasia Coope’s scattered thoughts. I think there’s enough built in for listeners to take in the moment to get something out of it, in a quiet space. However, the impact doesn’t last long, as it becomes just a faded memory; lacking enough substance in its approach that could have had more to offer. She certainly has set the stage for herself, it’s just a matter of what we can expect in the future ... read more

Haunting, grandiose, engaging, gorgeous and soul sucking; One with The Riverbed make a lasting impression with their dynamic build ups and switch-ups from hazy, melodic post-rock to heavier black metal. It can get repetitive, to a point; but, once you go along with it, you’ll be pleasantly rewarded.

For a debut, I wasn’t exactly getting much of the hype; however, I had enough of a good time and thought it showcases Normani’s strengths as a singer on an otherwise chill, yet safe album that’s worth giving a spin. That being said, other than being just enjoyable and passable; there is a real lack of drive in direction and a lack of risks on here to give her a big bump as an artist. Especially, for how long it took to cook in the oven.

Using an assisted AI to collaborate on her work to make this song could be a tool for generating crap, but I don’t believe it will always be the case. I’m surprised at the elevated level Imogen takes this technology makes an ethereal, gothic-industrial sound (while sampling pieces of “Hide & Seek”) that’s bigger than she’s sound in a long time. The mixing is alright, but, it doesn’t affect the overall song. I’m honestly more impressed by ... read more

The Cure make some of their most well crafted music in 16 years that’s dreary yet deeply moving. I could almost swear I felt like I was swaying back and forth in an ocean current of emotions.

While the album is pretty disjointed here and there; that feeling was left out the door for just how fun, hilarious, fearless, the pub-garage punk band relishes in the spirit of rebellion.

Fit For An Autopsy continue becoming one of the most important bands of the Deathcore genre with another great record. With a more progressive sound and cleaner, melodic vocals in a couple tracks; the change up feels natural, making way for breakdowns that sound even heavier. The sound however does leave much to be desired as it doesn’t really feel memorable and comes off pretty flat in the middle of the record. Where ever, you think this record stacks in their discography, it’s ... read more

The debut from Black Midi’s ex-frontman, Geordie Greep, is a well crafted, chaotic experimentation of genres that are nothing but outstanding. From, aggressive, jazz/prog-rock to gorgeously layered (and danceable) Latin/Samba-rock; each track, ambitiously, dives deeper into plenty of complex arrangements with lyrics that just go mad into the protagonists absurd, pathetic, yet pitiful persona. It’s silly, yet deeply enjoyable thanks to Greep’s eccentric enthusiasm ... read more

It almost feels disrespectful to even regard this as a send off to an incredible artist like SOPHIE. The beating heart that made her unique is not present and without her center stage, the end result ends up feeling like it was lost in translation. A handful of good tracks here or there may compensate for a lot of the bad; but, the overall product just doesn’t do justice to her legacy.

A knock out of the park debut!

Wow, heavy af, Aidan Holmes diss!

Zeal and Ardor have a couple standouts; but the album has an issue finding a consistent tone to their new sound that just keeps struggling to surface on to anything interesting. It’s a frustrating album that feels like the music is actively fighting itself without any cohesion.

Wow, I’m very sorry, Mr. A Day To Remember. We just wanted good music, that’s all. You’ve really taught me to hold my tongue and sacrifice my judgements on how to not criticize music. Also, thank you for shitting on your fans! They just don’t know how brilliant “You’re Welcome” was. Their ears just weren’t ready for your brilliance.

While it recalls the glorious old times of their sound well enough, it’s not going to match those classic records.

Jack White’s surprise record feels like a reinvigorated return for him; bringing back the garage / blues rock sound that’s fueled with a harder and sharper energy without any pit stops.