Better than it's given credit - Navarro is the heart and soul of this band. Sorry Perry. Lush and warm for whatever reason, full of riffs and grooves aplenty. Standouts include The Riches and Grammy-nominated Just Because
Continuing the trend from their self-titled release, P Daddy further sanitizes their sound alongside frontman Kory Gregory's continued voice lessons. Turning the dial further towards power pop away from their noisy, raw and boisterous 4th wave emo sound, the band finds more success by doing what they do best: anthemic and just plain fun songs with an edge of anxiety. I've heard early Weezer allegations, and that isn't far off. Best tracks for me are the timely release of ... read more
You don't need to hear my thoughts about this album. It's all been said before.
It's more Joyce Manor. If you like them, cool. If not, this album won't change your mind. There's some sonic exploration at play here, mostly in the realm of "y'allternative" which is all the rage these days. Inoffensive but a far cry from their best work
Dare I say a return to form? I didn't really care for the trendy soft indie sound of Things Take Time, and it seems like she chucked that sound in the bin and exchanged it for having some energy (and drums) again. Lots of new sounds besides her usual garage rock and a further refinement of her strongest element (songwriting) makes this my AOTY, pun intended, thus far
Listen. It's phenomenal musically. However, it loses a lot of points with me because it seems like Matt and Mica couldn't decide if they want to write a concept album or not. Two mostly useless interludes and a closing track that completely breaks kayfabe does not make for good storytelling, and in my opinion concept albums should deliver 100% of the story through the music or be able to completely stand on their own without having to do homework. This album does neither, leading to ... read more
Some of Ben’s most refreshing work due to its’ separation from the staler half of his ability - his songwriting. Hornby’s words allow the 5’2 Carolinian to grow up. Bonus points for containing some of my favorite solo songs from Ben (Doc Pomus, From Above) and for following up a Heartbreaking Childhood Cancer Song™ with fucking Levi Johnston’s Blues, which is composed of Alaskan hillbilly Myspace posts.
the most talented songwriters in the emo scene topple their monumental debut album with more country-tinged songs about love, leaving, and the brokenness many feel as a young person
MGMT-style indie pop blown up to grandiose proportions. Big. HUGE. Grimy, overwhelming synth bass and plenty of shimmer give this project a sound worth listening to.
for me, this is a review that’s been stewing for 3ish years. i became a mac fan in 2021 as i entered a real dark time in my life, and quickly found that my favorite era of his is from 2012-2016. dark, introspective lyrics, trippy, sludgy beats, and lots of experimental sounds and ideas. (rip delusional thomas) as a result, i chased down the leak of this as soon as i heard it existed. the re-release is essentially all the content that had been leaked, plus a new track in Rick’s Piano ... read more
i love this album to the point of having some of it tattooed on my body forever. just pure, raw energy and angst bottled up and shipped straight to your doorstep. this place sucks ass is my favorite PUP thing but this project is by far my favorite album by Ontario’s pop-punk heroes.
an incredibly tight and technical little DIY album. Riffs and hooks and screams galore. idk i don’t have much to say i’m a huge fan of Riley! The Motherfucking Band and would put this in my top 3 releases of 2024, honestly this one is a no-skip 😳
This is an album of almosts. Almost anthemic, almost neurotic, almost a return to form, but there is still a step or two left to go before PUP retakes their title of a band who can release no mediocre music. Not all hope is gone, however. This is, bar none, the most diverse PUP album. PUP is a band that has spent a large majority of their careers singing songs about how much it fucking sucks to be a DIY touring band in the age of Ticketmaster and Spotify, for better (The Dream Is Over) or worse ... read more