An overwhelmingly intimate record that makes you wonder just what Years & Years could be capable of next.

Igor is a triumph, another feather in the cap of an artist whose real aim has always been to emote, not provoke, and who has made his vulnerability an expansive palette from which to draw in an exploration of the shades and contours of his own emotional canvas.

Lana Del Rey is large – she contains multitudes, and the way she balances and embodies them on her fifth album is nothing short of stunning.

BANKS is ever-evolving and ‘III’ is definitely a progression for her as an artist. The more upbeat tracks are interspersed among softer, more delicate, heartfelt ones that represent the duality of her personality and also increase its replay value.

It is a triumphant offering of high-production R&B, which calls out poor behaviour in relationships and prioritises the assertion of confidence.

Minaj’s new album Queen is a reminder to everyone that she is still at the top of the rap game.

Confident and empowered, Sweetener illustrates once again that Grande is an unparalleled pop chameleon.

On her sixth album, Demi Lovato finds a consistently compelling space: flinty, flirty R&B that’s just as thrilling hushed as it is at full blast.

Considering that half-decade gap and all the personal turmoil the singer endured, it scans that Head Above Water unveils a different Avril Lavigne, one who proudly bears her scars and is eager to share her journey.

Ed Sheeran, No 6 Collaborations Project, review: starry combinations produce predictable pop smashes

When “ME!” first saw release, the near-cartoonish production and gleaming chorus elicited murmurs that Swift had possibly lost the artistic plot — concerns that Lover largely quells by way of its strengths. But along with the lovingly hammy key change near the end of the plucky “Paper Rings,” the song (and Urie’s presence within it) also gestures towards the unapologetically showy realm of musical theatre, the embrace of which in pop’s increasingly ... read more

O anjo do pop voa mais alto em seu 5º album de estúdio,conseguindo se expor em músicas dançantes e tristes,como é o caso de ghostin.