It’s alright i guess. A lot of parts felt forced and cringe tbh, like she’s trying too hard to be this edgy, rebellious, cool, Gen-Z IT girl. Yet again, a lot of Charli xcx rip-offing on this, like on the second track “IT girl” where I was so convinced it was Charli on the second half. Some tracks here and there were pretty good, but overall, nothing too special.

What I was expecting. Gets a bit tiring after a while, as it’s pretty much the same thing over and over again. Still a solid project, but I think he needs to switch it up a bit.

After hearing DOGHOUSE, I had to check out her music, and I’m not disappointed. Julia manages to give you heartfelt emotions, gritty tone, raw production and amazing vocals all at the same time. The songs on here are super catchy and memorable. She manages to keep me captivated, pumped and locked in for the whole time. Very good 👍

Edit: 83 -> 86

This shit is crazy and I love it. This was a whirlwind of an album from front to back, leaving me always hooked, never knowing what was going to come. I really recommend listening to this if you love hyper-pop, electro, rage, dance or house music. Check this out 🔥

Can’t lie I felt a bit let down by this album. The opening track gave me high expectations and got me excited for what was to come, but after Undo, it kinda lost steam and fell flat for me. Losing interest almost immediately. Not bad, but not as good as I was hoping.

Nice song, nice chorus, good vibes, all that. Yeah, it’s a good song, chill song, not much more I can say apart from that

Gets pretty boring after like 2 minutes. Definitely not worthy of being an almost 4 minute song. The chorus is kinda catchy though, and it’s a good track for the background at social occasions or smth

It’s not even that bad it’s just generic, with no innovativeness in site. The whole “that money, that bag, that money, that bag” is just very repetitive. Bk wasn’t needed on here in my opinion, G Herbo’s verse was good and Coi Leray was alright.

Very nice vibe and melody. Vocals are also great, with Kali and Ravyn completing each other nicely

I knew I’d enjoy this album to some extent after hearing one of the lead singles, “who’s your boyfriend.” This album really gives me sombr vibes a lot, but that’s a good thing as I like sombr’s music! Indie-pop is having a comeback with this duo being some of the leading charges. Very good

Really good. Opened me up to Eem Triplin’s style. He does it very uniquely, and doesn’t try to follow trends which I think is a good quality to have as an artist. He displays his talent and different ways each song
Personal favourites: If We Being Honest, MISS ME?, CRAZY H*ES, Tall Tales

Honestly I love this song, so much replay value.

Everyone featured on this song has very good energy and flows pretty well. Good song, Lil Yachty staying consistent as always

It feels like during the four year break between 2015’s Cry Baby, and 2019’s K-12, Melanie Martinez hasn’t grown stylistically, as the music feels pretty much the same as her last body of work. Apart from a few highlights, K-12 feels pretty stagnant all throughout, with the movie trying to distract you from that reality.

This is actually a really good album, with Ed diving into a more futuristic sound on a lot of these tracks, as well as experimenting with Indian music on tracks like Sapphire and Symmetry, and more rap like on Opening and A Little More. There’s no bad song on this, and really no bad moments. The best moments were with ILYA’s production, who was a real stand out with his work on Don’t Look Down, Heaven, along with bangers like Azizam and Symmetry. Very satisfied.

This soundtrack is a good collection of songs, showing Björk’s diverse range of production and tone. Some songs stood out more than others though, and some having questionable noises.

Nothing special. Some of the bars are questionable but still a good track. JID was the highlight of this, as well as the production

Very nice

🗺️

So disappointing. Showcasing how Wayne’s really not an album guy