its okay ig
nothing incredibly good, its just ok
⭐ fml .
🔻 dumb .
it's time for a real review for this.
oh my god bruh, what the hell, im giving a 7.8 for everything on the first listen and then on second listen it becomes a fucking masterpiece.
iglooghost's debut album is an absolutely insane masterpiece of uk bass/wonky, everything about this album is amazing, design, overall experience and especially the production. this should be at least 85+, i think people on aoty hate this type of music, unfortunately.
⭐ super ink burst
🔻 purity shards
" Ì gð† å§h ïñ m¥ lð¢§, åñÐ Ì Ðåñ¢ê "
the most creative and detailed in terms of production so far, absolutely perfection of a song.
the hardest thing is kinda meh but understandable bc the happy dictator is a masterpiece, orange country is top 2 best from singles so far
i love how this thing gradually gets darker, more atmospheric, and longer as you listen to it. there's no particular epicness or weird structures here, but damn, the production and atmosphere are just insane, they've done it again, no doubt about it.
⭐ roam
🔻 everyday fishing
the production, at least, is actually pretty good.
it's just a blatant copy of 2hollis, but in spanish and more aggressive, so i don't understand the point of ts to exist. idk about the lyrics, but god, this guy rapping is so annoying bro syfm
overall, there are some good songs here, like 'insane', 'no me importa' and 'option' but the rest are just laughably terrible.
⭐ insane
🔻 rosa
why does every song on this album take so long to build up, and then... nothing happens?? why?
mechatok is an incredibly talented producer, but his solo album turned out to be not quite what i expected. the production of SOME songs seems very rushed, but the album still stands out for mechatok's creative approach to production choices, songwriting is uninteresting, and overall the album is just boring and features-carried.
one day mechatok will create his own masterpiece solo, but this ... read more
sometimes i feel like users of this site don't understand the beauty of deconstructed club/bass music (with the exception of SOPHIE and arca), which is the reason i'm listening to this amazing album so late. why the hell is it so underrated? also this is for the first time ever i 100% agreed with pitchfork rating on album.
the album itself is amazing, very dark, noisy, and chaotic club electronic music that truly reflects aya's darkest thoughts, stunning production and sound ... read more
я не знаю что про это можно написать, ничего интересного абсолютно, это НЕРЕАЛЬНО скучно слушать.
⭐ как мои дела
🔻 lost & found
WHAT ARE THESE BEATS BRO
today im eating this for breakfast, damn, it was incredible listen, the first half (1-5) are really the 5 best track runs oat, absolutely amazing, the production here is just INSANE. literally the BEST i've heard in this indietronica/rage genre.
⭐ never go down / love blur
🔻 24/7
<insert dumb injury reserve by the time i got to reference joke 😂✌>
brain-tickling madness.
this is proof that post-rap exists, this is not even experimental hip-hop or glitch hop anymore, but something much bigger and more avant-garde (maybe i just don't know much, so correct me if im wrong). absolutely crazy album and pretty enjoyable.
⭐ back in action
🔻 what would i stand for
very okay / miss
some songs are actually pretty good but overall production is somehow really mid.
⭐ private school
🔻 kefir
this is Deathconsciousness, but in a cheerful and soothing form.
i was thrilled when i first heard title track — for me, it was perhaps the most ethereal and incredible experience. atmospheric, detailed, and nostalgic production makes you feel like you're sliding through the clouds towards the sun. everything about this album is literally perfect. it is exactly what i needed to get rid of my winter blues.
⭐ slide / livin' loose
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Recent Review Comments
On tistan's review of Kim Petras - Detour
"@tistan comparing this to slayyyter doesn't automatically prove a lack of ambition either. genres are built on shared aesthetics. you could apply the exact same logic to synthpop, shoegaze, rage, jersey club, literally anything. similarity alone is not proof of creative bankruptcy. also, burnout doesn't automatically mean the music is objectively getting worse. sometimes it just means you’ve consumed too much of the same style in a short period of time. that’s a listener-side issue as much as an artist's-side one. know the difference"
On tistan's review of Kim Petras - Detour
"@tistan this isn't really criticism, it’s more of an emotional rant. you keep saying "everything sounds the same" "0 ambition" "no evolution" but you never actually explain what you mean by that. which albums are copying each other? what specific trends or production choices are becoming repetitive? what would "evolution" even look like to you? also reducing an entire scene to "slopfest" just bc most releases didn’t personally connect with you says more about your current burnout with the genre than it does about the actual state of the music."
On tistan's review of Kim Petras - Detour
"@tistan no need to be sorry, just stop being annoying and getting annoyed about the music, it's not that deep"
On SOPHIE - SOPHIE
"@Firstpres solsk"
On MattAlexandr's review of leroy - status update music
"holy normies who're not tapped in reviewing this 💔"
On callmestubz's review of leroy - status update music
"https://media.tenor.com/EnP87QouBdIAAAAe/i-hate-fun.png"
On julysroses's review of leroy - status update music
"@julysroses then you don't get this type of music, what kind of discussion is this?"
On julysroses's review of leroy - status update music
"@julysroses dariacore series sounds NOTHING like this, grave robbing is close but it's more mashup album. do you even listen to this whole thing or ragebaiting for no reason"
On julysroses's review of leroy - status update music
""nothing new or interesting" name 3 similar albums ✌️"
On Itscominghome's review of Afterlife Slave - THE WARPING
"comparing this to Discovery sets a very specific standard that not every conceptual electronic project is trying to meet, i don't fully agree that music has to clearly 'tell the story' without context for the concept to work. in many genres, especially electronic music, the narrative is often meant to be abstract or supported by external material. most of the arguments feel more like personal preference presented as universal rules for me"
On WinterHaze's review of Quadeca - i.ii.iii
"imagine that music could hurt you THAT much for no reason like what"
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