its just not possible for them to make a bad or mid song atp
⭐ hattrick
its just sad. i wish it had never been released.
i really want to believe that SOPHIE didn't mean for it to turn out this way, bc it sounds tasteless, uninteresting, and unfinished. these features are NOT IT at all; there's nothing here from SOPHIE's unique sound design and production.
⭐ ...
🔻 plunging asymptote
this is good, track 5 is an old version of OOH, and track 3 is actually amazing remix of A Certain Person, overall pretty decent debut ep, enjoyable.
reuploaded it on youtube and soundcloud:
https://www.youtube.com/watch?v=4ikaUtEDJg8
https://soundcloud.com/unattached_unhoooked/sets/sophie-2011
⭐ XOYO 31210 Pt.3 (A Certain Person (SOPHIE remix))
🔻 XOYO 31210 Pt.2 (Nothing More To Say/EEEHHH)
NOT IN 93+ WASHDALENA BAY OFFICIALLY WASHED 😂😂😂✌✌
wow, just wow
first of all, this guy created this on fl mobile, and i will never stop talking about that fact. this ep is an incredible mix of abstract hip-hop, digicore and sound collage that sounds absolutely crazy and creative. it's a must-listen, and for me, it's probably EOTY.
⭐ λ
🔻 инфернальное разложение
this duo cooked something unreal on here
absolutely fucking hella underrated, every song on here is incredible or at least great, good produced and catchy asf
⭐ falling / don't make me cry
🔻 sister
i love experimental music, and hear me out, i really find experimenting with ai in music pretty much interesting (IF IT'S NOT GENERATIVE AI SLOP LIKE KANYE OR CARTI). people need to understand that ai is the future and that there is a huge difference between using generative ai to create music and using ai to expand the possibilities in music production and creating musical effects and textures. this ep reflects that point of view, even if it's not that interesting bc technically ... read more
i can really see the visions for her next projects, but this one feels too much as depressed edgy tiktok kids music and vocals not really good sometimes also slightly overrated compared to Census Designated, which is a hundred times better in every respect. still awesome bc it's jane remover
⭐ movies for guys
🔻 goldfish
god, forgive me for initially giving this album a 7.8/10 🙏
this is truly Jane's magnum opus. it could easily have been my AOTY if Maruja and Quadeca hadn't released their masterpieces this year. the production is truly top tier and possibly the best EDM production i've ever seen. outro of ‘dancing with your eyes closed' is just INSANE; it gives me goosebumps every time. fucking amazing.
⭐ psychoboost / turn up or die
🔼 7.8 -> 10
раз уж 9майс и кай энжел оба дропнули полную хуйню, то можно и этот альбом оценить наконец.
если честно это лучшее что случилось с этим дуо, это СМЕШНО слушать и поэтому это немного круто, оно не пытается быть вычурным и дохуя заумным, но все таки даже добрая половина альбома ... read more
slightly worse than the previous two, but mag bay never disappoints.
i thought i would like it less, but FUCK IT this is good, FUCK YOU haters, it's a vibe, it's kevin who i love to see, he's happy, he's alive, he's living in present and not trying to create currents v2, he's doing what he wants, and i appreciate that decision.
morning update: yeah fuck yall
⭐ ethereal connection / dracula
🔻 see you on monday (you're lost)
Create an account to rate and review albums.
Recent Review Comments
On tistan's review of Kim Petras - Detour
"@tistan comparing this to slayyyter doesn't automatically prove a lack of ambition either. genres are built on shared aesthetics. you could apply the exact same logic to synthpop, shoegaze, rage, jersey club, literally anything. similarity alone is not proof of creative bankruptcy. also, burnout doesn't automatically mean the music is objectively getting worse. sometimes it just means you’ve consumed too much of the same style in a short period of time. that’s a listener-side issue as much as an artist's-side one. know the difference"
On tistan's review of Kim Petras - Detour
"@tistan this isn't really criticism, it’s more of an emotional rant. you keep saying "everything sounds the same" "0 ambition" "no evolution" but you never actually explain what you mean by that. which albums are copying each other? what specific trends or production choices are becoming repetitive? what would "evolution" even look like to you? also reducing an entire scene to "slopfest" just bc most releases didn’t personally connect with you says more about your current burnout with the genre than it does about the actual state of the music."
On tistan's review of Kim Petras - Detour
"@tistan no need to be sorry, just stop being annoying and getting annoyed about the music, it's not that deep"
On SOPHIE - SOPHIE
"@Firstpres solsk"
On MattAlexandr's review of leroy - status update music
"holy normies who're not tapped in reviewing this 💔"
On callmestubz's review of leroy - status update music
"https://media.tenor.com/EnP87QouBdIAAAAe/i-hate-fun.png"
On julysroses's review of leroy - status update music
"@julysroses then you don't get this type of music, what kind of discussion is this?"
On julysroses's review of leroy - status update music
"@julysroses dariacore series sounds NOTHING like this, grave robbing is close but it's more mashup album. do you even listen to this whole thing or ragebaiting for no reason"
On julysroses's review of leroy - status update music
""nothing new or interesting" name 3 similar albums ✌️"
On Itscominghome's review of Afterlife Slave - THE WARPING
"comparing this to Discovery sets a very specific standard that not every conceptual electronic project is trying to meet, i don't fully agree that music has to clearly 'tell the story' without context for the concept to work. in many genres, especially electronic music, the narrative is often meant to be abstract or supported by external material. most of the arguments feel more like personal preference presented as universal rules for me"
On WinterHaze's review of Quadeca - i.ii.iii
"imagine that music could hurt you THAT much for no reason like what"
Advertisement